The Research Of Chinese Landscape Painting White

Chinese landscape painting is the main form of white, Chinese traditional Confucianism thought and contemporary aesthetic consciousness zhe together with form and content to stay and white, through the comparison with the origin, this study traditional and modern landscape painter appreciations of imagery, which aims to find out the reasonable art nature. Expand to reality and sister art application. Finally realize the theoretical guidance for practical application of white creation Chinese landscape painting.The first chapter:mainly explains the concept and leave with white, black and white relations studies with white. In the traditional concept of white paper contains of white and imagine the white design creation thinking from two aspects. Keep both action is finished and the effect of process and result. Stay with the exercise is not deep expression must approach. Black and white, landscape and ancient philosophical inseparable, black and white is dialectical unity. In Chinese landscape painting of white, with its form of relativity and subjectivity. White is the essence of Chinese landscape painting.Chapter 2:briefly analyzed the historical and modern landscape painter works and the understanding of imagery theory and forms, specific to the specific object listed points landscape. Landscape "shape with god" mei camouflage evaluation criteria, ZongBing charm of landscape painting and zhuangzi's XuanSe natural color that form the initial margins Chinese landscape painting. WangWeiJing hao FanKuan JuRan appreciations of the white GuoXi factors for the "three" to observe artistic conception is a new technique of GongXian flying, outstanding rock structure and the sunlight and shade relations formed, with ink JiMo "" the picture HuaZi thickness are increased. A famous "with various" philosophy of "a" Confucianism is the beginning of all things is simplified, and the root of white. Modern FuBaoShi huang hua exploration of the invention as an adolescent from lu yanshao the navy political landscape that white to diversified development. Jia BaiYunXiang blessed LinRongSheng LuYuShun contemporary artists, the perfection of white made Chinese landscape painting abundant connotation to history, theory of white led research trend of volatile must be deeply into. Through the analysis of the object in the landscape, refining process of illustrations. Finally in the white sisters art association, creating provide ideas and inspiration.Chapter 3:to form of Chinese landscape painting techniques, and the research content. White This chapter takes a concrete analysis of the form and the effect of common forms of comparative research technique, and the ink color with white colors points from the content of the relationship, to strengthen their subjective expression of rational knowledge. The study of environmental factors that affect the atmosphere of white white border, landscape both form and is the highest form of white is invisible.Chapter 4:from the modern landscape painters should have the basic knowledge and life, from the specific skills and creative white, with the thought form of modern landscape painting works creation guidance. Modern landscape painter accumulate knowledge and solve many sketches practice to improve picture contradiction artistic accomplishment and skills. Based on the analysis of white techniques used in Syria white form creation. Image idea naturally show master internal structure and mobilize subjective initiative. Improve format and forms are created by thinking of modern landscape painting.Chapter 5:through the study of modern white, white, development tendency to objective understanding to the future development of Chinese landscape painting white direction and tasks.