| The night said:"empty and solid are born together,no painting is a wonderful place."In view of the fact of the relationship of Chinese painting has a great guiding significance,everywhere affects our appreciation of Chinese painting and creative ability.Combined with my specific painting creation in the graduate school stage,this paper begins with the understanding of the meaning of white and black and how to use it in traditional Chinese painting,and then expounds the expression form of the relationship between reality and vanity in Chinese traditional landscape painting.Try to get inspiration from the corresponding landscape painting theory of the past dynasties,more in-depth Seek the picture purport and the artistic conception outside the picture.On the other hand,studying the relationship between reality and vanity in traditional landscape painting,trying to change some people’s basic understanding of "one-sided" and "superficial" such as "left white" in the management position,at the same time,some landscape paintings have more full composition,But also can express the beauty of the empty picture,this article will also combine their own creative practice of landscape painting in the use of the relationship between the actual and empty to put forward a further interpretation. |
