Under The Influence Of Taoist Philosophy Of Chinese Painting

In this process, aesthetic activities, art is not just artistic, it is the life form, there is a way of life. China, an important branch of philosophical thought - Taoism, China not only affects the human spirit, way of life, and affected the way Chinese aesthetics. The "cycle theory" and "one of everything", the natural flow dominates the view of our national aesthetic observation-based methods. This approach emphasizes the observation of human life and the operating rules of life in the universe integration, "in to see the infinite in finite, but also in the infinite regression limited" to create all things life activities comply with the lawPerformance of the works of the spirit of the universe.Taoist philosophy that everything in the universe, the rules are a natural follow Tao, nothing exciting changes. In the process, so that every thing is according to nature and natural. I put forward the "Imitation of Nature", that "natural" is the ideal state of things. Chinese painter's character cultivation affected the performance of artistic style and painting methods, thus requiring the artist to be in good faith to face the natural temperament of this true life, in the process of artistic creation, the artist should be in the "Road", it was to keep the virtual Mind , static, clear condition so that no hinder Mind, heart, if mirror. This work will be moved to create their own, moving the viewer.Only the artist beyond the normal heart, to take it lightly inaction can face the nature of mind, to expose the essence of nature. As the saying goes: "no desire at all, but everything is free appear." This works to the performance of large US-universe world to achieve the highest realm of art. This is the Taoist "Doing Nothing" reflects the deep philosophical thought.Meanwhile, the Taoist thought of the "availability" concept derived from the Chinese painting "Form and Spirit," "actual situation", "white in black," and a series of ideas have influenced the picture of the composition and mood, etc., but also on the theory of Chinese Painting and The development of a very important reference.