Research On Fujian Folk Religion Architecture And Its Archaic Stage

The folk religion architecture is an extremely universal kind in Chinese traditional architecture, it belongs to the common people residence (or local architecture). Fujian folk religion has a long history. According to existence information, Fujian has the most folk religion in China, such as Ma Zu, Guan Di, Mrs Lin Shui, water department Shang Shu, guarantees lives God and so on. Fujian folk religion not only profound its affect on Fujian people's daily production and the life, moreover, it also radiates to Taiwan Province and some countries and the area in Southeast Asia.The folk religion architecture is the location where the folk religion activity takes place in, has a higher culture and the architecture research value. And the archaic stage which attached to folk religion architecture, as its important part, simultaneously also is the place which the play performs, is playing the vital role in the folk religion activities. Because the research on the folk religion architecture as an independent architecture type does not carry out, people frequently mistake the folk religion architecture with the religious architecture. Therefore, it is necessary to conduct the thorough research to the folk religion architecture.The paper is composed by five parts. In the first chapter, it has outlined the research object, the research goal and the research significance, proposed the research methods and the feasibility analysis, and carry on the research situation. The second chapter begins with the Fujian folk religion which is the prerequisite of Fujian folk religion architecture, narrates its process of development and summarized the folk religion main characteristic,and carried on the material examination in this foundation to the Fujian folk religion architecture. The Third chapter continues from the folk religion angle to divides the folk religion architecture into the Saints temple, the lower temple, the temple and Nuo temple, and separately gives an example to carry on the analysis. The Fourth chapter summarized Chinese archaic stage architecture in the development foundation, and discuss the source, the course and the type of the Fujian archaic stage. The fifth chapter states in the foundation in front, carries on the analysis on the folk religion architecture one by one, and discusses it mutually between the influence relations. Finally, the folk religion architecture spatial shape, the light shade, the color utilization as well as the archaic stage decoration essential factor has carried on the discussion.