The Research Of Flower Patterns On Qing-style Furniture

The research of the flower patterns applying on the Qing-style furniture is based on the requirements in three areas, evolution of the laws of the aesthetic, more demands of the aesthetic and the reality of furniture decoration.Discussed the floral patterns on the furniture with obvious characteristics of the times. Through the political background, economic strength and the cultural atmosphere,this article analyzed the causes of the application materials,the layout and the implication of the flower patterns which had been set on the Qing style furniture. And also analyzed the related structures and organizational forms and so on. The purpose is to select the flower patterns to fit nowadays society, transmiss the excellent flower patterns and promote the national culture.Each furniture designer must have the attitude of tasting and practicing life. The Qing-style furniture is one of the marrows of Chinese classical furniture. Flower patterns is applied widely in Kang, Yong, Qian. The three emperors all intervened directly the production of artifacts. Their aesthetic level, the political environment in the times, the economic strength and attitude towards Confucianism and Buddhism have a direct impact on the artifacts and the application of flower patterns on the artifacts. And a variety of crafts and artifacts are used to reflect the sharp resistance or the rulers'soul longing. This is the connotation of the pattern on the artifacts. The manufacturing office designers, craftsmen and tributing, custom officials all tried to figure out the ruler's mental to make the artifacts. Palace artifacts are the best feature of all the manufacturing during the three dynasty. Palace furniture is the best feature of Qing-style furniture. It had obviously characteristics of the times. The flower patterns in this paper are taken from the surface of the palacefurniture, porcelain, bottles, utensils and so on.The full text is divided into five chapters. The first chapter talks about the origin of the article as the preface. Introducing about research methods, related concepts and define; The second chapter outlines the flower patterns of the Qing-style furniture. It overall summarizes the Qing-style furniture decoration, flower patterns on the Qing-style furniture and the structure formulas, forms of organization, moral and the decorative parts of the peony and lotus patterns which are the main targets analyzed; The third chapter is characteristic of the times of the furniture flower patterns. It elaborates that in a environment with a relatively stable country, culture prosperity, confucianism and Buddhism merged, substantial economic can only breed a beautiful flower patterns. The fourth chapter is the causes of the application of the peony and lotus pattern on the Qing-style furniture. It details the causes of the application materials,the layout and the implication of the flower patterns based on what the third chapter studyed. The fifth chapter is the conclusion part of the text;The second, third and fourth chapters are the main body of the paper.Qing-style furniture decoration is elegant, flowers patterns is beautiful, particular the flower patterns on the furniture of Kang Yong Qian. Carving is delicate with obvious characteristics of the times. The political background impacts the theme and layout of the patterns. The economic strength impacts the development of handicrafts, and decides fine degree of the patterns. The culture often reflects the rulers'aesthetics and the subject matter of patterns. The meaning of flower patterns are beautiful. Flower patterns which the rulers preferred mainly signified the authority, class and wealth, and signified the permanent status. It has a role of alert and prompt on content, layout and design. This performance is particularly obvious on furniture because of it is a objects with personal experience and a close-up view.