Research On The Concept Of Music Performance In New China In The 20th Centur

The concept of music performance is one of the important topics in the study of music performance aesthetics.This article takes the concept of music performance in New China in the 20 th century as the research object,takes the social,political,and cultural development and changes since the founding of New China as the internal basis for changes,and uses the method of historical belt theory and historical theory to sort out and propose the new China Concepts of music performance in different periods: namely,the "three modernizations" in the "early period of New China"(1949-1966);the "flagization" during the "Cultural Revolution" period(1967-1976);the early stage of "reform and opening up"(1977-1989)The "new trend" and the "diversified" music performance concept of the second phase of "Reform and Opening up"(1990-2000).Analyze,interpret,summarize and abstract music phenomena in different historical periods from the perspectives of history,culture and aesthetics,in order to discover the formation and characteristics of different music performance concepts,and further explore the connotation of music performance concepts in different historical stages.Relevance and its essential presentation.The formation,development and presentation of music performance concepts in different historical periods of New China in the 20 th century are a comprehensive product of music creation,performance practice,music appreciation and theoretical research.Although the concept of music performance naturally has to be "excavated" in the "mind" of the performing artist,the composer’s creative concept and the special expression method set in the work may cause the concept of music performance to change and form New or specific musical performance concepts,this is also one of the ways in which the concept of music creation affects the concept of music performance.At the same time,music appreciators will also make certain factual and value judgments about music performers’ performances,and this judgment will,to a certain extent,affect the formation and change of performers’ performance concepts.Therefore,the concept of music performance does not only exist in the practice of music performers.It is reflected in the overall process of the three practical aspects of music art creation,performance,and appreciation,and extends and expands to music understanding and music criticism.in the process of rational judgment.Therefore,the study of the concept of music performance should be centered on performance practice,leading to the left to the basis of music performance-music creation,and to the right to the feedback of music performance-music appreciation.The three should be interdependent.,interaction and mutual influence relationship.It can be said that the formation of the concept of music performance is the result of the "republic" of comprehensive factors and the understanding and interpretation of performance theory in a specific historical period.It has multiple characteristics such as symbiosis,interactivity,and variability.On the whole,the concept of music performance in this period is dynamic and variable,truly reflecting,embodying and recording the development trajectory of music in this historical period of our country.The occurrence and development of each musical performance concept has its own profound internal trajectory of change.People’s recognition and change of performance concepts are based on the continuous deepening of musical phenomena and aesthetic awareness.The concept of music performance itself is the dialectical unity of purpose and regularity,and is the consistency between the subjectivity of the performer and the laws of music.The product is an overall grasp of the performance situation in a specific historical period.It is not only a reflective process,but also a dialectical unity of history and inheritance,life and artistry,conceptuality and practice.Exploring the real existence lies in discovering the essence behind these performing arts concepts and summarizing the lessons and rules.It can become a useful reference for the performance practice of music performing arts workers in the new era and better provide guidance for contemporary music performance practice.and theoretical research and practical services.