The Witness Of Chinese Pop Music

Chinese pop music has developed from the first half of the 20 th century to the present century,and has become the most popular music form in contemporary China.Only by fully understanding Chinese pop music culture,the practitioners of pop music can create pop music works with Chinese characteristics in the new era,and then shoulder the mission of the future prosperity and development of Chinese pop music.In this paper,using the method of oral history,taking Fu Lin as the research object,the author puts Fu Lin’s music creation experience and music life into the double context of Chinese social and cultural changes and the development of Chinese pop music,through many in-depth interviews,the historical memory data of Fu Lin’s oral statements are integrated to form Fu Lin’s oral record,and then supplement and enrich the text materials of this study.The thesis consists of the following parts:Introduction.This paper mainly elaborated the research origin and the research question,the research present situation and the research value,the research significance and the research innovation,the research method.Mr.Fu Lin is the earliest pioneer of contemporary Chinese pop music.He is not only a composer with lyrics and music,but also a“Bole” who is willing to be a behind-the-scenes promoter.He is also a leader of contemporary Chinese pop music education.This paper breaks through the previous research and writing methods of music characters,and reconstructs the development of contemporary Chinese pop music from the perspective of Fu Lin’s oral history,to solve this problem,we must start from the primary source and use the method of oral history to trace Fu Lin’s oral record,and comprehensively comb the development of Chinese pop music in different stages of Chinese history,grasp its close relationship with the Chinese public.Chapter One,Fu Lin’s music life and creation.Through the interviews with Lin Records,collect historical views and not yet see the article time memory.His childhood narrative,his growth in military art school,his career in military composition and his experience in pop music education are summarized in this paper.The influence and cultivation of social,family and surrounding factors in his childhood allowed Fu Lin’s music creation to germinate,and four years of life experience,professional study and practice accumulation in military arts made Fu Lin’s music creation take root,fu Lin constantly matured and developed in his military career.Fu Lin paid more attention to the exploration and cultivation of contemporary pop singers while composing his songs and songs.He also threw himself into the history of Chinese pop music education,keeping up with the times and developing his own online courses,build the network teaching platform,multi-dimensional integration into the development of contemporary Chinese pop music cause.Chapter Two,Fu Lin“Personally experienced” Chinese pop music.From Fu Lin’s oral history,many viewpoints on the creation,singing and teaching of Chinese popular music in the course of its development are captured,and under the guidance of the socialist core value system,pop music shows the characteristics of the times and the people meet the needs of the aesthetic culture of the masses,and resonates with the mainstream values with the development of the times.Chapter Three,Fu Lin witness Chinese pop music.Exploring the relationship between Fu Lin and Chinese pop music from the perspective of“Witness”,in this part,Fu Lin’s music can be divided into four categories: main melody pop songs,children’s pop songs,national mood songs and military songs,each category carries different cultural forms from the perspectives of People’s aesthetics,time aesthetics and art aesthetics,and each subject contains deep feelings for the mother culture,from these works can be deeply aware of the evolution of Chinese pop music.Chapter Four,Fu Lin on the current development of China’s pop music issues.From the angle of media,Audience Group and cultural foundation,to explore the development predicament and wisdom plan of current Chinese pop music,this paper explores the relationship between the theory and practice of Chinese pop music from the perspectives of new media and Chinese pop music,youth and Chinese pop music,popular culture and Chinese pop music.Chapter Five,“Tomorrow will be better”: Based on Fu Lin to see the significance of contemporary Chinese pop music.This paper explores the future development trend of Chinese pop music from Fu Lin’s oral record,based on Marxist literary thought,popular cultural acceptance theory,and socialist core values,etc.To conduct a dialectical study of contemporary Chinese pop music culture from the sociological perspective,adhere to the artistic creation concept of“Keeping integrity and innovation”,and to think about Fu Lin and Chinese pop music in the new era,to shape the popular music aesthetic expectations and value system in line with the Chinese people.Conclusion.From the perspective of oral history,this paper studies the development track of Chinese popular music,which Fu Lin witnessed and witnessed the changes of Chinese social politics,economy and culture,it can provide pop music researchers with multiple perspectives on the study of pop music theory,and properly handle the relationship between pop music and popular culture,market and other research objects,to avoid Chinese pop music becoming a tool of entertainment consumption in the era of new media and new culture,music practitioners in the new era should actively devote themselves to the exploration of their own national music resources and integrate national elements with modern theories,using the new media technology will be in line with the Chinese People’s pop music aesthetic original pop music to spread,inherit the Chinese excellent traditional culture,the structure of contemporary Chinese pop music theory and practice.