Creative Research On Wenchen Qin’s Concerto Works Of Chinese National Instruments And Western Orchestra

Wenchen Qin is one of the most representative and influential composers in the field of contemporary Chinese music creation.His music creation combines the simplicity of Chinese minority folk music,the profound reflection of Chinese traditional Confucianism,Buddhism,and Taoism aesthetic ideas,and the skilled techniques of Western modern and contemporary music creation.This music style also creates his unique musical artistic temperament.Wenchen Qin’s music creation has a large number and diverse theme types.Among them,the concerto type works combining traditional Chinese musical instruments with Western orchestras are one of the most prominent creative types in terms of exploring and exploring the "combination of Chinese and Western" timbre-sound.This article focuses on the study of seven concerto types of Chinese national instruments combined with Western orchestral music that he has created,and elaborates on his main core idea in creating this type of works,namely,the concept of "flowing deformation and evolution".This article examines the individual pitch,texture,color layer,music structure,and timbre and sound layout of these works,respectively,Further explore and elaborate the presentation methods and methods of this creative concept in its specific music creation details.I hope that through the study and research of this thesis,I can inspire my own concerto techniques,concepts,and thinking for creating ethnic solo instruments combined with Western orchestras,thereby further enriching and strengthen my own music creation practice and learning,and also contribute to the further in-depth study of the creative concepts and techniques of contemporary Chinese composers by scholars in the same field.