Shandong Contemporary National Instrumental Music Creation Status Quo Of The Research

As we all know, Shandong is a folk province.Shandong province hasextensive deep historical traditions and folk roots in the field of FolkInstrumental can be described as a bright and wonderful work, the fruitsof its creation, performance, and musical instrument reform occupies avery important position in the20th century Chinese Folk Instrument.Especially the establishment of the avant-garde art troupe with the Songand Dance Troupe of Shandong two core national band, as well as theestablishment of many of the amateur team, and together form the peopleof the two core band for support, and other amateur team assisted nationalinstrumental development system.Therefore, overall, to sort out acomprehensive and detailed Shandong contemporary national instrumentalmusic creation situation has some practical significance.In this paper, musicology and the Development of the longitudinaltime-based, combined with the corresponding spectrum of cases ofhorizontal creation of comparative analysis of the detailed method ofcombining the use of time and space, crossover study, comprehensiveShandong Contemporary Folk Instrumental creation of the status quostudy.Introductory section on the first of the significance of the topic ofthis paper, current research and research methods were summarized;papers one to four chapters based on the characteristics of the timessummarized the different characteristics of the creation of each period:the formative years before the founding to the Cultural Revolution (1949-1965) as the first phase of the article, the overall creation of a linearupward trend, the first peak of the folk music creation in the province;Cultural Revolution wandering period (1966-1976), a decade hit makingthe field of folk music creation was depressed, although thepost-condition reversed, but the overall situation is still less than before the Cultural Revolution level; Reform and opening up to the endof the century boom period (1977-1999), the province’s folk music duringthe creation began to move toward the direction of diversification, thesolo of a deeper and broader level, trio, ensemble, concerto, as wellas large national orchestral works have reachedunprecedented peak,showing a second peak of the folk music creation in the province;difficult exploration of the new century (2000-present), the21stcentury, with the fierce market competition, in the event of a doubleinvasion of Western music and pop music afterfolk creation of roads inour province more thorns, also need a period of exploration of how thedevelopment of the province of folk music creation. The first four phasesof this study, in this argument, the fifth chapter of a culturalreflection of Shandong folk creation situation, from the current malaiseof folk creation status quo, such as employees, lack of good works,viewers and listeners to the loss of issues to analyze and put forwardsome constructive ideas. The last section were summarized from threeaspects: First, Shandong Contemporary Folk Instrumental creationshowing a curve rising trend characteristics. Second, fully affirmed thecontribution of the people of the two core band on the creation of theShandong contemporary folk music. Pointed out that the present provinceis most important is the lack of creative talent of a professionalinstrumental team, to solve the problem must first address the problemof creative talents. This article will examine the object as a socialphenomenon, and attempts from the cultural point of view will be theobject of study in a specific cultural context to examine to understand,for the full and detailed to show the picture of the creation of Shandongcontemporary instrumental music, which in Shandong benefit of musiccreation.