A Research On The Visual Art Of Modern Chinese Poetry

The main reason for studying modern Chinese poetry from the perspective of visual art is that it cannot get rid of the infiltration of visual culture for more than two decades and the influence of the rapid development of the Internet.The printing and sales of traditional paper texts continue to decline,and they are replaced by more diverse and three-dimensional multimedia forms.Texts are forced to find new development space by means of adding pictures,strengthening layout art design effects,and combining audio and video.In the process of visualization and mediaization,the visual text and media text of poetry will consciously become a new research object,that is,to observe poetry from the perspective of visual construction and media communication.When the world is grasped as an image,on the one hand,it refers to the problem of space turn and imageization discussed from the perspective of philosophy and aesthetics;on the other hand,image thinking has a profound impact on creative practice It has become a specific method and way to contact,understand and grasp the world.Issues related to visualization have naturally become an important topic in literary creation and literary theory research.The current research on visual culture in China can be integrated into three directions,namely,research on the relationship between literature and images;cross-media and poetry communication of poetic texts;image and visual turn;cultural anthropology,especially ethnography,geography research.From theory to practice,the above directions can inspire,guide and refer to the visual research of poetry ontology and the diversification of poetry genres.The intervention of multimedia technology not only gave birth to a variety of poetic text forms,but also introduced more paths for the study of poetry and poetic texts.It is possible to classify poetry texts from the aspects of semantics and metaphors,subject content,symbolic entities,and media.However,it is easier to understand and popularize by using communication media,text materials,and spatial characteristics.method.Poetry can be divided into online poetry,multimedia poetry,poetry film,poetic drama,etc.Based on electronic media and fusion media;paper texts based on printed media,such as poetry anthology,concrete poetry,image poetry,photography poetry,etc.However,if we look at the spatial rendering ability and effect of the text,it can also be divided into two-dimensional plane effect and three-dimensional effect.Therefore,poetry collections,concrete poems,image poems,and photographic poems are placed in cyberspace,and their format is two-dimensional electronic text.In the study of specific genre texts,we will find that poetry is indeed deeply influenced by images,and this influence comes from three aspects:images as content,images as technology and images as media.The way in which images appear has transformed the appearance of the poetic text as a whole,and readers(audience)have participated in the whole process(intervention)in this process.In particular,readers who are media audiences and commodity consumers,their media usage habits,receiving methods,and expectations for the audio-visual effects of media texts are all directly or indirectly reflected in the poetry that exists as a product.Therefore,it is an unavoidable problem in the visual age to look at poetry from the perspective of co-construction of graphic-text relationship and reader acceptance.The study of the visual art of poetry is also inseparable from the combing of its temporal and spatial relations.Poetry as the art of language,under the background of visualization era,from reproduction of language to reproduction of images,narrative style from time to space,from split expression to the interaction and integration of various media,and the written text written according to the linear time logic are alienated by images to some extent.Even if words do not have the ability to fully describe objects visually,literary creation and research actively or passively interpret and reconstruct the relationship between words and images in a more concrete and complex manner.Therefore,with the help of communication studies,visual psychology,visual art principles,new media technology,etc.We can redefine the knowledge system of art theory and explore the unity of various arts.Vision is an organ function possessed by human beings,and its focus is on seeing,that is observing.The image is not only the result of visual observation,but also the concretization and formalization of the observation result,but seeing as an action and a dynamic process,the visual thinking mode,the action and process of viewing,the way of viewing and The definition of viewing itself is followed by the object and result of viewing,as well as the image presented in the form of a work as the object being viewed,which includes not only the static picture of the two-dimensional plane,but also the three-dimensional dynamic like.Therefore,from the time and space appearance of the image,it can be attributed to the form of existence—visual space.In the visual age,images play an intermediary role,as the role of language and meaning transmission and translation.Because of the massive amount of materials,starting from the starting point of cognition and learning,to the habits of contacting and using media,and then to personal thinking patterns,content and methods of expression,images have been separated from the vassal role of language and become an independent expressive system,It is no longer simply regarded as a reading material similar to the babbling period of young children—talking through pictures—images are no longer a way to contact and reach language.Of course,as a graphic mode of language,the functional use of images still exists,and their influence is growing.Because images are visually intuitive,direct,and easy to read,reading itself tends to be more convenient,so readers are more interested in texts and texts.The requirements of the reading process are simple,convenient,and fast,which essentially affects the depth and depth of reading.In particular,under the support of new media technology,the effect of Internet communication and social media,images have become a newer and more popular symbol system integrating creation,communication and interaction,which has also brought epochal significance to literary creation and reading.infection.Although it may be because the current active creative subjects were born earlier than the 1990s,this effect is not obvious,but the Internet effect will become more prominent as time goes by.In addition,images,as an independent creative method and tool that everyone can use,have not really been realized in creative practice.Therefore,the current influence of images on poetry creation is more of a thinking mode or auxiliary creation,like visual poetry,graphic poetry,photographic poetry,multimedia poetry,network poetry,etc.Regarding the topic selection of the thesis,it is first necessary to show that the researcher’s own ability is limited.The cognitive ability of images is greater than that of poetry texts,and the analysis of concrete visual information is superior to the construction and grasp of poetry theories,which leads to a more professional perspective in the thesis.Look,there is indeed a problem of shallow research.But as an ordinary reader,the motivation to understand poetry is entirely out of personal curiosity,especially to understand how the images that appear in front of and in my mind during the poetry reading process come into being,and how it affects expression and understanding.help.Just as video workers create images from their curiosity and cognition of the world,how do poets and writers form poems and words,how to sample and summarize visual information,and finally transform them into written expressions with both form and spirit?It is a very intellectual,spiritual and poetic process.This is the original intention of the study.The only advantage of such superficial research and simple original intention is that it is closer to non-professional readers in terms of problem awareness and focus;in terms of research background,it is more inclined to combine the Internet environment in the current cultural context dominated by visual thinking and new media technology to see the survival,change and development of poetry.Therefore,the following issues in this thesis are paid attention to:first,combined with the current multimedia technology and network environment,a specific study of the text style of poetry is carried out;second,the role of visual translation of text content in readers’ reading is analyzed and the interaction in text dissemination;thirdly,the relationship between text and images will become a topic of long-term discussion in the visual age,especially in creative practice,due to the influence of technology and communication,more diverse forms will appear;Fourth,the thesis hopes that in the specific text analysis,it will be reflected in a more open image-text relationship construction,especially the conscious implantation of visual images in reading to strengthen the effectiveness of poetry reading and dissemination;fifth,for specific to understand poetry from the perspective of image construction and communication.The introduction part mainly introduces the background of visual culture research and the main train of thought of current domestic poetry visual research.At present,when we discuss issues related to vision,the key words often mentioned are image and image.The former refers to visual intuition and extroversion,while the latter refers to visual technical processing methods and dynamic effects.When the viewing subject has mastered a large number of watchable materials,visualization becomes a specific method of communication and translation.Different from the randomness,extensiveness and creativity of visual observation,visualization is sometimes equivalent to treat all materials by simple and rough processing with mental power back and effect first.The intervention of media and technology enables everyone to generate,acquire,edit,disseminate,and share information carriers through hardware devices and data platforms-images,and images pursue the superficial effects—images that eliminate deep understanding and differentiation,poetry is no exception.Therefore,I hope to demonstrate the importance and necessity of visual research in poetry through the introduction.The first chapter macroscopically explains the four dimensions that need to be grasped in the study of poetry visual art from a theoretical point of view,that is,to see the visual cultural genes of poetry and painting historically from the same origin of poetry and painting;the commercialization of the content and form of poetry in the consumer era,popularization;the network and multimedia technology have completed the transformation of poetry texts in a visual and multi-channel way;readers are integrated with media audiences and consumer behavior subjects,and their new identities lead to essential changes in their reading and acceptance methods.Feedback and media fields affect the production and dissemination of poetry texts,and this change is obviously affected by consumer behavior and the development of media technology.In the first chapter and even throughout the whole thesis,great efforts were made to introduce the impact of consumer culture and consumption behavior on poetry,mainly because the author believes that this impact is absolutely no less than that of cyberspace and media technology,especially in the past 30 years,readers have become increasingly active as the subject of acceptance,which is positively correlated with the explosion of their subjectivity and initiative driven by consumption.Human subjectivity is mainly reflected in the ability to choose and choose objects.The current relationship between writers and readers is more interactive,which is basically due to the changes caused by the heterogeneous identity of readers.Today’s readers are a combination of media audiences and consumer behavior subjects.The influence of the media environment and economic situation on them cannot be underestimated.The second chapter specifically explains the space-time elements of poetry visual art space.This part of thinking and expression is mainly based on,firstly,hoping to use theoretical analysis to find a clearer tool for discussion and provide a more academic perspective;the space-time body of the three-dimensional structure,and then analyze from the overall cognition to the specific image.This chapter discusses the following four aspects respectively:emphasizing spatial image and spatialization promote the evolution of text from reading object to viewing object;the specific transformation of text by consumer culture and new media technology,and the overall presentation of poetry as a popular context;the hierarchical relationship of visual art space is explained in detail.Talking about poetry from the perspective of space is mainly to build a visual overall view and overall perception.The poet’s creation and the reader’s reading have exactly the same starting point,both starting from visual observation and experience.And the object of creation and reading——text,whether it is expressed as language or non-language symbols,visual content is also inevitable.For its research,the microcosmic focus lies in words,and the macrocosmic grasp lies in the context.From a visual point of view,the former is an image,and the latter is a space.Therefore,from the author to the reader,the analysis of the process of video flow is nothing more than the transfer of images and spaces between the two.According to the media used in poetry texts,the expressiveness of media,and the combination of media,that is,the definition of the relationship between image and poetry,the third and fourth chapters mainly make a specific classification analysis of poetry types and texts.The first two chapters are mainly based on the theoretical level,while the last two chapters focus more on specific types of poetic texts.The third chapter mainly studies multimedia poetry,graphic poetry and text components.Graphical poetry includes image poetry and photography poetry.In poetry creation and reading,in order to effectively analyze the visual elements and effects presented,the paper mainly focuses on image generation,graphic-text relationship,line construction and blank space,and text visual design issues.This chapter also focuses on the analysis of network poetry.The reason for the choice is that,in essence,the Internet is not only a site where poetry occurs,but also a tool for creation,an interface for generating different types of poetry texts,and a channel for poetry dissemination and reading.Through the Internet,some poets have acquired a new identity,and also created a new poetry text and type.The Internet and new media technology have brought about a huge intergenerational difference between poets and readers of a certain age group and their predecessors,and this intergenerational difference and the changes that have been caused and will be caused in the creative practice will cause Become the focus of continuous attention of poetry research.Chapter 4,converging media poetry taking poetry and film as an example,the theoretical part reviews the research on poetry and film.In the generation of poetry,it mainly focuses on the specific influence of Chinese traditional aesthetic genes on poetry and film.The practical part is mainly based on cases,focusing on the image,space and poetic flavor of poetry and film,and the analysis adopts the dichotomy method.The first is to discuss the overall perception and image construction of the poetic movie screen,and the second is to explain the effect of the screen and the technical means to achieve it.In the third and fourth chapters,the division of poetry types is mainly based on the relationship and expression between poetry and media,and can be divided into cross-media poetry and media-integrated poetry.characteristics of globalization and diversity.In the process of theoretical combing and case analysis,the dissertation finds that it is difficult to make a one-to-one correspondence between the definition of the concept of poetry and film and the practice of creating poetry and film.Among them,the considerable controversy lies in whether some of the selected poetry film cases can really be classified into the poetry film category.The criterion for selecting cases in the paper is not so much the sample type as the sample temperament."Poetry" has moved from poetics research to the field of film,whether it is the length of history or the accumulation of research,it is related to the birth and development of film itself,a combination of new media and old fields,especially for Chinese films,whether it is creation,practice,and even audiences and markets need to be cultivated.Therefore,the paper hopes to observe it from a more open and variable perspective.Of course,this may also be an excuse for my lack of research ability.Therefore,the research on the visual art of modern Chinese poetry in this thesis tends to show how current cultural forms are visualized in poetry,and the influence and interaction of various visual means on poetry.