The Study Of Surrealist Paintings From Creative Methodology Perspectives

Surrealist painting in the realistic view of surrealism is to express,put forward the representation of reality,experience the aesthetic principles of reality,and question the reality of the metaphysical criteria.In essence,surrealist painting is an artistic way to rediscover the essence of reality from "dream," "potential" and "desire," and it is a metaphysical inquiry into the existing forms of reality.Thus,it is imperative to grasp surrealist painting from the perspective of artistic methodologies.The essence of surrealist paintings,creative characteristics,aesthetic values is the object of this dissertation.The purpose of this thesis is to make a theoretical judgment and research on the specific method paradigms of Surrealist painting.First,Clear forms of expression are the unity of positive and negative painting creation,which is not only in the development of the logic of surrealist painting,but also in its artistic characteristics in-depth understanding of surrealist painting;Second,explains the surrealist painting in this unity with a higher intrinsic pursuit,that is,the inherent of human excavation,It points to another way of looking at oneself and the world.What we want to do in the excavation is to make art return to reality in a surreal way.It is an artistic effort of excavation and return.This dissertation is divided into four chapters:The first chapter focuses on the "negation" of reality by surrealist painting,discusses the artistic techniques of surrealist painting through the "negation",and pays attention to the inner motivation of spirituality negated by the intuition of naive materialism,including dreams and consciousness,and spiritual analysis Those three aspects correspond to the three important theoretical sources of surrealism."Dream" has a special meaning in surrealist painting,showing the subconsciousness internalized by life experiences,and constitutes the artistic tone and creative orientation of surrealist painters’ creations.The discussion of artistic expression and narrative methods of the subconscious "dream" that restores the living experience in painting creation.Based on the "idealism",three important methods of consciousness are discussed in the virtual reality of realities: non-linear thinking,contextual elements,and inertial associations.Lastly,it analyzes the meaning and value of reality with "God" as the soul.Focusing on the “God” of creation,expressing the characteristics of automatic writing in the process of painting creation,using automatisms with the subject itself,making it both a method and a way of embodying subjectivity,giving surrealist painting a window that opens the inner path of reality and unreality.The second chapter is based on the “affirmation” of surrealist painting to the unreality.It discusses how to break the reality constructed by the logic and practices by making it tistic,visualized and concretized therefore to express the artistic imagination,meaning carriers,and ideological psychology on the transcendental level of human experiences.For artistic imagination,this theme has more life content and spiritual connotation.The art of painting is no longer restricted by the ready-made nature of the object,but is more expressive and flexible and critical,so that the art of painting can better reflect the individuality of artistic creation.Because of artistic imagination,surrealist painting has the characteristics of mixing,copying,interception and combination,opening up the processing method of meaning carrier: the transcendence of a single object,the expression of metaphor and the reinforcement of repetition.Due to the emphasis on unreality,the artist’s artistic expression and the consciousness of artistic aesthetics are more expected in painting.The third chapter discusses the presentation and excavation methods of surrealist painting’s subjectivity.Surrealist painting limits the "reality" to the level of individual subjectivity.As far as the work itself is concerned,acquisition,presenting and understanding images is closely linked to the self is the embodiment of subjective presentation.Reflected in the paintings,the use of visual misplacement to make the subject’s imagination and expression of dreams reproduced in a concrete and;the other is the absurd and humorous implication expressed in the theme,which triggers both the creators and the viewer’s exploration and experience of subjectivity at the bi-directional level to form a transcendence.Finally,the inner understanding touches the inner soul of the subject.In a realistic sense,the subject is no longer subject to the opposition between reality and the unreality,but to make its own subjectivity,freedom,creativity,and constructivity be particularly consciously manifested in the reconciliation.The fourth chapter mainly discusses the "return" of existence as the theme,and analyzes the specific return path of surrealist painting: poetic art,the salvation of "objects" and the artistic concept that seeing is invented.Poetic art means that the language of surrealist painting bridges dreams and reality,and it also answers why the artistic endeavors form a unity of affirmative and negative.As far as “articles” are concerned,it is not only the way of creating surrealist art that transcends the existing aesthetic and formal constraints,but also the intervention of politics.The focus on existence is an important path for the return of existence.Based on that,surrealist painting in the creation and aesthetics enables the visual art of painting to purify the invention and discovery of "seeing" in the process of questioning the viewing.It is the development of future life scenes and the guidance of virtual existence.Anew understanding of life thus comes back.The conclusion part reflects on the inner logic of the construction method in the sense of surrealist painting.This article believes that the artistic creation of surrealist painting turning to the heart and pursuing reality is not to restore the existence of established objects,but a metaphysical questioning of reality.This is not only a deepening of the surrealist trend of thought,but also an innovation in the art of painting and the representation of its function of social criticsm.