The Blind Transmit The Voic

The blind storyteller is widespread in China’s traditional society a music culture phenomenon,this article will research scope respectively focusing on Shanxi Luliang mountains both blind storyteller and southeast Taihang mountain,latitude from the space of two heterogeneous social fact to fact description,comparison and opposed from the time profile is trying to find the root of their respective social fact,And the time nodes,key events and structural factors that influence the generation of heterogeneous space.On the one hand,the author hopes to present the basic features of contemporary blind story-telling in Shanxi,which are complicated and multi-voice.On the other hand,the author tries to explain the practical logic and operation mechanism behind the heterogeneity of contemporary blind story-telling in Shanxi,as well as the historical experiences and turning points behind it.Expect from the blind storyteller of historical sources in search of spirit,belief and knowledge resources,draw the outline of the blind community in the winding in the history of the dynamic process,trying to from a more remote past and live the present understanding of the blind storyteller,historical character and cultural value understanding blind artist group contained and bearing the "constant" impression of the faith,To capture the cultural representation of "change" and the reasons behind the change of discourse structure.Firstly,the relationship between "magi、blind and music" is one of the important dynamic mechanisms for the long-term continuation of "blind to the sound".Divine identity on the one hand,based on the wizard,auditory knowledge,play traditional blind be able to successful transition from the ancient knowledge producers from middle civil society,become knowledge disseminator,on the other hand,the " WU GU " with early witchcraft beliefs and how god worship,primitive religious thinking long-term bonding,become one of the main form of folk religion.Secondly,the association of the "San Huang " which combined the belief bases of Confucianism and Taoism,was an organization system that effectively guaranteed the blind’s identity and exclusive knowledge in the world,as well as a "linkage space" for interaction with the government and the people.At the same time,the association,as a system of teacher and apprentice classes,provided a guarantee for the continuation of blind’s tradition of blind knowledge and identity.Thirdly,the characteristics of Lu Liang’s blind story-telling cases are mainly reflected in the continuation of his belief in "San Huang",the continuation of the identity of "master" and "teacher",the knowledge system of telling gods and divination and fortune-telling,as well as the continuation of his relationship with the civil society,but the above structural factors have undergone corresponding changes to varying degrees.The case features of Taihang’s blind story-telling are mainly reflected in the disconnection between the belief of "San Huang" and the organization of the master-disciple class system,the disconnection between the knowledge of story-telling and the religious belief of "polytheistic worship" in the folk relationship,and the establishment of a new order attached to the party state based on the deconstruction of the old tradition--The Blind Propaganda Team.This enabled them to enter the system smoothly after the founding of the People’s Republic of China,and to maintain the identity of local society "Gong Jia Ren" for quite a long time.Since the beginning of the new century,under the influence of structural factors such as market,country,intellectual elite and regional history,the Blind Propaganda Team represented by Wuxiang County has gradually dispersed and disintegrated.Under the construction of intellectual elite,the blind story-telling team represented by the Zuo Quan blind propaganda Team has successfully transformed into a new order of intangible cultural heritage stage performance.