Towards The Prosperous Song Dynasty-Study On Song Renzong 宋仁宗 And Yingzong 英宗 Poetry

“Long song隆宋”has different directions of historical and poetical significance.Based on the investigation of poetics,the time period of“Long song”ranges from the first year of Xining熙宁(1068)to the fourth year of Zhenghe政和(1114).“Going to the prosperous Song Dynasty”is a poetic judgment scale,not a simple concept of time.It refers to the beginning of breaking away from the blind worship of Tang poetry,the trend of inheriting more and changing less,the pursuit of self—reliance,the establishment of self—identity,the exploration and transformation of the Tang Dynasty,and the opening up of a new world of poetry based on Tang Dynasty.As the“youth period”of Song poetry,it was in the Song Renzong宋仁宗and Yingzong宋英宗dynasties.The development of the poetry is independent and self—sufficent,and closely related to the politics,economy,ideology,and culture at that time.When examining its appearance,it is necessary to adhere to the internal literary standard and external literary ecological perspective.The development of literature has a certain continuity.The appearance of new poetry will never be immediate,and the effect will be revealed in the mutation,which is bound to be inextricably linked with the previous poetry cicle.As far as the poetry cicle of Song Dynasty is concerned,the leading poets such as Wang Yucheng,Lin Fu and Yang Yi in the early Song Dynasty are of great significance to the poetry cicle of Renzong宋仁宗and Yingzong宋英宗.In the internal investigation of literature,it is an important starting point to explore its formation mechanism.Combined with the reality of the poetry texts,it focuses on three aspects:style,poetry method and poetry school.In terms of style,plainness and wild prosperity,masculinity and heroism were quite distinct labels in the poetry circle at that time,and also the important starting point for scholars to cure the shortcomings of the poetics in the early Song Dynasty.Plainness not only points to the poetic taste,but also to the taste of life.“Yexing野兴”is one of the symbolic characteristics of the song tune.It reflects that compared with the Tang Dynasty,the Song Dynasty has poetic and philosophical improvement of daily life.The“Dixian地仙”complex and the“wine hidden”concept are distinct expressions.At the same time,the heroic personality was extended from the battlefield to the daily track,the vigorous and unrestrained style of writing was promoted.At that time,the scholar’s introverted mentality was only in the nature,not introverted in the heart,and did not lack the enthusiasm for creation,Ou Yangxiu,Shijie,Liu Chang and other ancient style creations were examples of extreme tendency.Qingli Fengshen庆历风神,as the first symbolic trend of thought and spiritual community formed in Song Dynasty,was the inevitable outcome of the combination of moral responsibility and poetic romance.In terms of poetic method,the case retrieval and strangeness typically reflect the close relatonship between Song poetry and Tang poetry.Breaking through the original emotional formula and writing mode is the outstanding performance of the poetry cicle of Rengzong仁宗and Yingzong.Changing the original emotional formula of the dusk,for the fronther fortress poetry to enjoy the beautiful scenery of the border area,or add the new meaning of the ruler’s achievements,at the same time,integrate the public responsibility moral consciousness into the traditional private subject field,create the distance between the poem title and the poem’s meaning in almost all kinds of genres,and the narrative transition from the fragment style of Tang poetry to the panoramic style,which reflects the song people’s creation concept also bears the brand of Song people’s owm value pursuit.As far as the poetry school is concerned,in the process of going to the prosperous Song Dynasty,“oumei欧梅”poetry school is undoubtedly the leading force,and the role of“xi kun yupai西昆余派”can not be ignored.As the internal and external forces of the transformation of Kunti,they guided the Song poetry to the prosperous Song Dynasty.As far as the“oumei欧梅”poetry school is concerned,“the same school has different appearance”is its distinct label,which is not only reflected in the differences between different members in the specific poetry style,but also in the changes of the content and style of the poetry brought by the same writer in different stages due to the changes of his own circumstances and thoughts.At the same time,the members of the“oumei欧梅”poetry school have different creative ideas about the ancient style and the near style,which made their near style show the distinctive feature of“another vertical bone ridge”;as far as“xikun yupai西昆余派”is concerned,it is actively carrying out the self vibration of Kunti,changing the original rich and gorgeous style of poetry.The rich image gradually fades out of the poet’s pen,at the same time,it enlarges the self—image of the main body in the poetry,expresses personal emotions,and changes the disadvantages of“I am covered by things”caused by Kunti’s works in chanting things.The“oumei欧梅”school and“xikun yupai西昆余派”school,as the two major directions to the prosperous Song Dynasty,are not isolated from each other,but exchange and learn from each other,showing the characteristics of traveling between integration and independence.As far as the literary ecology at that time was concerned,the broad and favorable political environment,the vigorous establishment of local education,the convenient development of transportation and commerce,and the progress of printing media helped the poetry cicle of Renzong宋仁宗and Yingzong宋英宗moved towards the prosperous Song Dynasty,showing the trend of mutual assistance and common prosperity.