Research On The Commonalities And Individualities Of The Melodic Intonation Of West Anhui Dabie Mountain Folk Songs

The melodic intonation of West Anhui Dabie mountain folk songs are an example of state-level non-material cultural heritage and the typical regional culture,which is represented by geography,history,culture,and external factors such as the particularity of four aspects.Through Tian Ge in West Anhui Dabie Shan there are as many as 11 different genres of West Anhui Dabie mountain folk melodies to be analyzed on a tone spectrum chart.It has been proposed that West Anhui Dabie mountain folk melody tones can be comprehensively analyzed on "three levels":micro,medium and macro.The micro level is distinguished by three a track on the frequency of the sound column type,the medium level induces three columns or three note column combination characteristics,while the macro level places all genres throughout the melody group for comparative analysis.West Anhui Dabie mountain folk songs vary by heredity genetics,content,region,aesthetics and more.Both natural and cultural environments influence of the Dabie mountain folk melody tone.The heredity and variation of the folk melodies of refugees,a special population,are particularly important.Dabie mountain area is one of the important birthplace of Chinese revolution.In the West Anhui Dabie Shan region,women embracing the Reds is a prevailing topic in the content of folk songs.These Dabie mountain folk melody tones of red songs are carried in the historical memories of countless red events.In West Anhui Dabie mountain folk songs,on the basis of analyzing the melodic intonation,put forward about the melodic intonation some ideas about the problem of the relationship between inner and extension.To spread in Dabie mountain folk songs"August osmanthus flowers blossom" as an example to explore the copyright dispute of folk songs of cultural metaphor.At the same time put forward from the "Internet+"medium see melodic intonation spread across borders and from the connotation of melodic intonation see the significance of cultural identity.Summing up the conclusion and prospect of four aspects:one is the melody tone implied logical hierarchical relationship.Second,melodic intonation and people’s inner relations research.Three is a melodic intonation theoretical exploration of universality and individuality.Four is the application of ethnomusicology "call":establishment and application of national music gene pool.