Research On The Construction Of Spatial Art Value Pedigree Of Jiangnan Traditional Villages

In the context of the self-awakening of traditional culture,traditional villages,as the dominant tangible presentation of Chinese farming culture,which is a typical local representation.Since the national implementation of the protection of traditional villages in 2012 until the launch of the rural revitalization project in 2018,traditional villages have become a hot topic and key focus of contemporary human settlements,gradually moving from the exploration of marginalization in the past to the center of contemporary research.Meanwhile,traditional villages,as a historical and cultural heritage with multi-dimensional values,their artistic value as a key word frequently used in contemporary research and protection practices.However,contemporary inquiry,speculation,and application of the essence of artistic value clearly still missing,but the reflection and exploration of these issues has significant for the inheritance and sustainable development of contemporary traditional villages.Therefore,this research takes the traditional villages in Jiangnan region,China as the object,based on the surveying,collecting,sorting,analyzing and drawing the basic data information of the spatial art form of 728 villages,deeply analyzing the essential connotation of the spatial artistic value.Through refining the elements of the space art value of the traditional villages in Jiangnan region,to systematically construct the artistic value pedigree of Jiangnan traditional village space.This research is mainly divided into three parts:Theoretical research:Through the analysis of the research background,on the basis of establishing the "contextual" research method under the interdisciplinary perspective of genealogy,architecture,design and typology.The first chapter analyzes the traditional villages in Jiangnan region and their cultural characteristics,focusing on the traditional Chinese philosophy of value,and then points out the necessity and significance of this research with the value "practical theory" as the core.By analyzing the scale of the subject and object of the artistic value of the traditional village space,this research clarifies the dynamic and unified relationship between the subject and object of the artistic value of the village space.The second chapter summarizes the key influencing factors of the spatial artistic value pedigree of traditional villages in the Jiangnan region,and takes the transformation of abstract value concepts into specific research elements as research path,and divide the village space into the village environment,the village structure,and the village nodes.And divide each space into closely related value elements according to the dynamic and unified relationship between space and people.In the end,this research establishes a bottom-up "self-organizing" art value pedigree with "object form-value target-subject characteristic" dominated by people,taking the relationship of artistic value as the main line,and appropriately considering the secondary relationship dialogue.In the end,this research establishes a bottom-up "self-organizing" art value pedigree system with "value object-value target-value subject" dominated by people,taking the main relationship of artistic value as the main line,and considering the dialogue in secondary relationship appropriately.Subject research:Chapters three to five are the core of the research.Based on the artistic value pedigree structure,from the perspectives of ecology,morphology and literary style,this research demonstrates the natural beauty of the Jiangnan traditional village environment,the beauty of the village structure composition,and the beauty of the artistic conception of the village node.The analysis content is divided into three levels:First,the object form level,which summarizes the spatial art forms of the village environment,the village structure,and the village nodes in the traditional village space in Jiangnan region.Second,the value subject level,which analyzes human behavior in combination with the art form of the village space,the nature of the subject includes senses and ideology.Third,it integrates the practical relationship between man and village space,and extracts the artistic value under the "human-village space form".This part researches and analyzes the value elements of each specific classification,construct a pedigree system on the basis of summarizing each space art form,draws a diagram of the pedigree structure,and systematically explains the human and space in the practice activities of space art in the traditional villages in Jiangnan region and its’ connotation of artistic value under the nature of the dynamic unity.Inspiration Summary:Based on the overall research,the sixth chapter summarizes the characteristics of the spatial artistic value pedigree of the traditional villages in the south of the Jiangnan region,and points out the multidimensional dialectical and unified connotations of the pedigree.Its typified characteristics are combined by the cultural background of the South and North cultures,the deep-hidden artistic expression form,and the poetic and romantic artistic realm with both ethics and moral.Finally,by combing the dilemma of contemporary traditional villages and combining the content of artistic value pedigree construction,this study extracts the experiences for contemporary traditional village space protection and inheritance from three perspectives:technical value,ideographic value and aesthetic value.In general,the spatial art value of traditional villages in Jiangnan region is a product of the times when the cultures of the north and south of China blend in a stable geographical environment.Its form and pedigree structure present the tempering process from traditional art artifacts to Taoism,showing typical collectivized personality characters.The form of transformation is expressed implicitly or clearly.The traditional villages in Jiangnan region are the opposition and unity of rationality and sensibility,moral etiquette and free feelings,concrete material and abstract spirit,tradition and modernity.In the constant collision and infiltration,it presents the typical regional cultural characteristics of "the instrument is used to hide rituals" and the artistic realm of"poetic truth" in an overall appearance.