Shiro Ozaki's Wartime Experience And Research On His Political And Cultural Psychology

During Japan's total war of aggression against China,under the combined effect of the increasingly harsh external environment of speech and ideological control,as well as the personal circumstances of writers,and the recognition of the current situation,the literary world was dominated by militarism and ideology.Most writers used their activities,His speech and creation participated in the construction of wartime militarist ideology,and became a "cooperator" and advocate of the war of aggression.Different from previous studies,which mostly discussed the writer's individual war view,the flaws and limitations of the Chinese view from the war literature itself,or the overall observation of the wartime literary world,this study uses the subjectivity of Japanese writers during the war to suffer.To severely weaken as the basic cognitive premise,the writer Shiro Ozaki was used as a case study object,and the method of combining original empirical research and text interpretation,through a large number of first-hand literature research and analysis,was analyzed from 1937 to 1945.A comprehensive survey of Japan's activities,speeches,and creations during the actual period will provide us with an important perspective for observing wartime ideology from top to bottom and from policy-oriented implementation to the operating mechanism of creative concepts and literary texts.It is a useful reference for us to investigate the current situation of the writers in wartime and their realistic choices.In this sense,this research attempts to return to the narrative level of "humans" and reveal the relationship between state and individual,politics and literature,violence and civilization in an extreme historical context by dissecting sparrows.The main part of this article is composed of five chapters.In the first chapter,the author takes the major international and domestic events related to Japan from1937 to 1945 as the dividing line to examine the context and evolution of Ozaki's works themes,and sort out the relationship between Ozaki Shiro's literary writing and the war situation during this period.Relations and finding a turning point in Ozaki's literary conception changes are the basis for in-depth consideration of specific cases and the basic conditions for in-depth study of Ozaki's political and cultural mentality.The second chapter takes Ozaki's journey to China in 1937 and his writing as the research object,and examines the "virtual" and "real" of Ozaki's writing in China's journey to analyze his modern and Chinese views.Although he tried to express the real war experience as much as possible within the scope of control,he finally chose to use "the soul of literature" to beautify the war,which is the result of the combined effect of the "national benefit theory" thinking,strict speech control and personal self-regulation.In the third chapter,the author examines the logic of Ozaki's literary reconstruction of the Genghis Khan legend and the changes in his writing after the Philippines joined the army.On this basis,the author considers the cultural nationalism sentiments of the Japanese nationals and the influence of the political situation on wartime writing.And dig deep into the dual influence of military experience and national ideology,Ozaki's mentality and standpoint.In the fourth chapter,the author takes Ozaki's "Takasugi Shinsaku: Dawn Chapter" and "TakasugiShinsaku: Ranyun Chapter" as the research objects,and examines the differences in the themes of the two novels.Thinking about 1943 and 1944,the war situation in Japan is becoming more and more uncertain.At that time,Ozaki's understanding of war changed.The Philippines' military experience,Japan's political situation,Ozaki's nationality,national outlook,and his social situation all determine his writing.In the fifth chapter,the author examines the relationship between Ozaki's wartime writing and its status in the literary world,social status,and political status,explores the path and trajectory of the implementation of Japanese national policies in the literary field,and further clarifies the individual subjectivity under the extreme system The limit of choice.In other words,this article is a study of Japanese war literature with Ozaki's literary creation as the starting point,and a study of the history of modern Japanese literature and the history of thought in a special historical context.At the same time,this article uses the method of combining meta-classical empirical research and text interpretation to present the true face of the writer who has been forgotten by history,returning the research to the level of "human",thinking about the state and the individual,war and literature in the extreme historical context.Relationship.