An Exploration Of The Scenery And Features Of The Painting Boats In "Yangzhou Painting Boat Records"

The Record of Yangzhou Painted Boat is a famous collection of notes written by Li Dou in the Qing Dynasty.As an important local document and precious historical data,it occupies a position that cannot be ignored among various barnyard history notes in the Ming and Qing dynasties.Encyclopedia eighteen volumes,the attention from " "to the class,in the" copy "water the note" cases,divide their land and of "the general style of the arrangement,each volume on the structure of follow" to for the,people can remember as weft "forms of organization,and mixed with novels,prose,poetry,drama,all kinds of factors such as widespread involvement and systematically ray xu qing period in the qing dynasty,Especially in the heyday of Qianlong,a large number of records of social life in Yangzhou were not only local but also the most important part of the mainstream culture at that time.They could be regarded as the overall view of Chinese society in the Qing Dynasty and important documents for textual research on the design of social life in the city in the Qing Dynasty."Painted pleasure boat" refers to a water transportation vehicle and life amusement place with various shapes and structures,exquisite decoration and many other functions.The "gaily-painted pleasure boat" in Yangzhou in the Qing Dynasty was the peak point of the development of Chinese ancient folk pleasure boats,and was at the turning point when its connotation was concentrated and endowed with new significance."Original" as a whole book of transportation and teases,appear in the title in the yangzhou original record and record all aspects of the Mongolian,carrying the author Li Dou,emperor,big business,a citizen,guide them around the scenic spots in yangzhou,experience the city’s local conditions and customs,cast out of the city landscape,lifestyle,social customs,it reflects the appearance and evolution of Yangzhou’s social ethos in the Qing Dynasty.Based on historical research,this paper interprets the Yangzhou Painted Boat Record,forming three approaches:first,the description line of the record itself,and carefully read and analyze the records of Yangzhou Painted Boat and the related market scenery in the Qing Dynasty;Secondly,seek more supporting lines through the literature,especially the leading edge of the gaily painted pleasure,to explain the basis of the contents recorded in the literature.Finally,the significance and value of the literature elaboration are extended through the literature,including the influence of the market life in Yangzhou in the Qing Dynasty,the formal structure of the gaily painted pleasure,and the rise of gaily painted pleasure on the life at that time.In this way,the interpretation of the literature is connected in series,and the social life track,ideological change,and the evolution and evolution of the design form and function of the Qing Dynasty Yangzhou scenery presented behind the gaily-painted Fang is interpreted from the perspective of design science,so as to comb out the clues of the history of ancient scenery design.In this way,we can observe the role and significance of"gaily-painted pleasure boat" in the history of ancient Chinese design,as the interpretation of the market scenery of Yangzhou in the Qing Dynasty,so that"Yangzhou gaily-painted pleasure boat record" has become a record of Yangzhou scenery in the Ming and Qing Dynasties,especially in the dry and Qing Dynasties.