Research On The Historical Development And Creative Practice Of Contemporary Ethnic Minority Dance Dramas In China

Minority dance drama is a unique and important part of our national dance drama,but it has been rarely paid attention to by the theoretical circle.The research on it often stays in the form analysis and cultural characteristics expression of a single dance drama work,which reveals the phenomenon or analyzes the creative ecology,but lacks the theoretical explanation and induction of Creative Aesthetics.This paper,while comprehensively combing the historical materials,focuses on the unity of individuality and wholeness.We should not only comprehensively investigate the creation environment of ethnic minority dance drama from the aspects of social factors and cultural elements,but also take the people as the center to explore the dialectical relationship between the people’s individual and the whole nation,the minority and the Chinese national community.Throughout the creation and development of ethnic dance drama,we can find that the theme and content are often concentrated in folklore,fighting against foreign enemies and the real fate.It shows the praise of the common quality of the people of all ethnic groups,the continuous enhancement of the national cohesion of the Chinese nation in the process of jointly defending foreign enemies,and the common ideal of the people of all ethnic groups to achieve poverty alleviation and common prosperity.In the early stage of creation,ethnic minority dance drama often promotes the ethnic minority’s identification and belonging to the country through the "integrated" narrative of the people of all ethnic groups’ co creation and co construction of new China.In recent years,the minority dance drama began to break through the rigid narrative of graphic policy and the curious interpretation of minority customs,and opened the community narrative of realistic concern and true feelings.In the process of systematic construction of minority dance drama language,it is an important issue for us to realize the transformation from rhythmic national dance to melodic dance drama language.In the process of transforming the main action into the theme motivation of dance drama,the transformation of minority dance language should grasp the corresponding "degree",so as to further strengthen its ideographic ability.In terms of form,in recent years,the creation enthusiasm of ethnic minority dance dramas has become increasingly high.In addition to the realistic and popular dance dramas represented by Mongolian and Yi people,many ethnic groups have also achieved "zero breakthrough" in the promotion of ethnic minority literature and art performances.The diversified features of ethnic minority dance dramas in China are more distinct,Thus,it expands the style diversity of our national dance drama.From the very beginning of its creation,ethnic dance plays have played an important role in spreading the image of the Chinese nation and constructing the spirit of the Chinese nation.In the current complex and profound background of the times,ethnic dance drama needs more respect for cultural commonness,through the "community narrative" which is more in line with the nature of dance drama,with a self-conscious and self-confident creative attitude,to contribute to the pattern of "pluralistic integration" of the Chinese nation,to cast a strong sense of the Chinese nation community,and then to provide support for the community of human destiny.