The Inner Self

Bruno Mantova's(1974—),French composer,conductor,educators,in 2010 he accepted the Paris opera Wei Yao,with the Nobel Prize winner,Swiss writer Hermann Hesse(Hermann Hesse,1877-1962)masterpiece "siddhartha"(Buddha had)based,ballet "siddhartha" with the same name,echo.Reasons for its success is not only the narrative art ontology,and exquisite stage and huge creation technique abstruse,stereo moving,more as a devout Christian,through their local perspective of the western culture,to look at,think Oriental traditional buddhist spiritual realm,and trying to eastern religious and cultural connotation of sound research and create again,such a huge Oriental buddhist historical themes of ballet is rare in the western contemporary mainstream music creation,the "siddhartha" is developed with the Oriental music aesthetic feeling and the characteristics of the western modern music vocabulary;At the same time,it is more reflect the mandolin varney music thinking and composing techniques of maturity,so I chose the ballet as analysis object,hope can through the detailed analysis and research of the associated with stereo space,all kinds of music elements and further understand the whole piece of music on the stereo space diversity thinking under the present structure of the context,and mandolin,refined design arrangement of the acoustical material within in logic.This paper is divided into seven parts.The first part introduces Mantovani and his works and summarizes his writing process and style.The second part is the background of the creation of this ballet,the script adaptation,the innovation of the form of contemporary ballet under the influence of religious factors and the overall structure of the 14 music.The third part is the research on the creation of multi-theme music and the construction type of sound of the whole music.The fourth part analyzes its important musical parameters(pitch,structure,timbre,rhythm,texture)one by one from the perspective of multiple thinking of acoustics space,and further discusses its experimentation and uniqueness under the creation of contemporary music style.The fifth part is the study of Mantovani's sound creation of the natural scene in Siddhartha.The nature here refers to the natural scenery on the one hand,and the person,personality,humanity and the original mind on the other.Sixth part from vertical and horizontal two dimensions coordinates to analyze the music connotation of mandolin,the vertical coordinates of the French historical composer Debussy,messiaen and mandolin,comparative analysis,the horizontal coordinates for the mandolin varney as western background of artists for Oriental culture,religious connotation of aesthetic research and sound creation;The last part is the conclusion.Innovation point of this paper lies in: 1,through the mandolin,for music creation of eastern religious subjects,understand the different culture,different religious background artists in different areas of creative thinking and practice,and can be compared to western composers use the techniques of contemporary music to express the traditional religion and culture spirit,composers of the east of the same is true of writing technique and the Angle how the similarities and differences;2.Through the study of this large-scale music work,we can understand Mantovani's personalized music language and creation techniques,music aesthetics and the pioneering music creation concept of western mainstream music;3.While providing a wide range of Eastern and Western reference objects and examples,it finally explores the question: "Is the core of science,culture and art really non-Eastern and Western?If the final result is the so-called all roads lead to the same destination,then,how different?Where is the way home?...