Research On Landscape Painting Techniques In Early Qing Dynasty

A large number of painting theories,such as painting theories and paintings that appeared in the early Qing Dynasty,have more characteristics than those of previous generations.At the beginning of the Qing Dynasty,painters were keen to discuss technical issues.Not only did the creation of landscape paintings have high achievements,but also the level of discussion of landscape painting techniques was high.Important paintings such as "The Mustard Seed Garden Biography" began to spread widely.In addition to the old style of the profound and profound myth,the new style of detailed and detailed summary of the formula was not opened.In the early Qing dynasty,while discussing the technical issues of mountains,rocks,trees,water clouds,and seals,they developed these basic formulas into the standard methods of landscape painting.This article combines works and painting theories,and discusses the orthodox school represented by the "Four Wangs" and another school represented by Shi Tao,Gong Xian,Hong Ren,etc.,with different treatment characteristics of mountains,rocks,trees,water clouds and regulations,from literature and works.In the mutual certification,the effort to restore the technical and French environment of the early Qing Dynasty,and at the same time,with the understanding of modern people,strive to awaken the vitality of traditional techniques.A group of painters represented by the "Four Wangs" strived to gather the success of previous generations,perfect the construction method of the landscape painting itself,and establish a fun system of pen and ink.However,another group of painters represented by Shi Tao,Gong Xian,Hong Ren,etc.,turned more to the feelings of nature and individuals,creating new patterns in the areas of mountains,rocks,trees,clouds,and chapters,and painting for mountains.Language creates new vocabulary borrowed for future generations.As far as perfecting the language and fun of landscape painting,the two sides share the same path.