The Formation Mechanism And Text Generation Of Chinese Yuefu Poetry

This article takes the formation mechanism and text generation of Yuefu Poems in Han Dynasty as the starting point of the research,analyzes the changes in the process of the production and circulation of Yuefu Poems in Han Dynasty,and further discusses many factors in the process of text formation.This article starts from six chapters.The first chapter discusses the form of ritual music and the creation mechanism of Yuefu Poems in Han Dynasty.On the basis of discussing the establishment of ritual and music system in the early Han Dynasty,this paper focuses on the analysis of the suitability between the texts of various Yuefu lyrics and the forms of ritual and music system in the Han Dynasty.An Shi Fang Zhong Ge was created in the early Han Dynasty on the basis of the establishment of various ancestral temple rituals.Its purpose is to safeguard the legitimacy of Liu’s lineage inheriting the throne.The Suburb Sacrifice Song is a song created on the basis of both Chu Feng and auspicious experience of Suburb Sacrifice,and its purpose is to delight the gods of heaven and earth.In the period of Emperor Chengdi of Han Dynasty,a group of confucian scholars headed by prime minister Kuang Heng,revised the Suburb Sacrifice Song under the principle of "noble sincerity and good quality",which made the lyrics more simple.In addition to The Martial Songs in Han Dynasty,the demand for the emperor’s draughts and the use of the Han Dynasty food and music has also influenced the creation of the text of the song.The second chapter discusses spread and diachronic formation of Yuefu Poems in Han Dynosty.The generation of Xicmg He Lyrics has a close relationship with the music transformation and the narrative mode of songs,and is sung in the form of "kite and wine song" "Xiang He"or even "song and cry".From the perspective of the evolution of Yuefu texts,this paper focuses on the textual generation of Wu De Wu Poems in Eastern Han Dynasty and Zuo Du Yi Ge.Although the literature of miscellaneous dances in Han Dynasty originated from local customs,it was used in Imperial palaces.With the passage of time,the literature of elegant dance has undergone new changes in text creation,but it basically follows the creation mode of"eulogizing" style in the Book of Songs.The purpose of the three chapters of Zuo Du Yi Ge is to admire the virtue of the Han Dynasty in Southwest People,and to further strengjthen the relationship between the nationalities of Southwest Yi and the Han Dynasty.The third chapter discusses the geographical relationship between "custom customs" and the songs of the Han Dynasty.From the region where the custom envoy exercised the "custom" and the regional relationship of the miscellaneous songs in Han Dynasty,this paper discusses the regional overlap between the miscellaneous songs and the "custom" in Han Dynasty.Confucianism became the main body to participate in the "customs",and also did some processing and polishing work on miscellaneous songs and some rumors.Under the influence of "custom customs",the initial appearance of the Han Dynasty miscellaneous songs can be roughly determined."Custom and " Proverbs" are both the institutional motivation of miscellaneous songs and rumors.They also have many same factors in system determination and cycle.The fourth chapter discusses the systemic motivation of the "Proverbs" system and the formation of the derogatory words in the Han Dynasty.When the performance appraisal model of officials in the Han Dynasty was related to "rumors",these"rumors" which were promoted also reflected their own value of existence.Combining with the evolution of performance appraisal model,it is concluded that the "rumor"system has undergone several dynamic generative processes,such as peopled praise or disapproval,members’initiative and three public audiences.In this process,the"rumors" are processed and polished,like the custom messengers,so that they have some specific historical narrative meanings.The fifth chapter discusses the form of songs and the prosperity of Yuefu’s activities.Based on the analysis of the entertainment orientation in the lyrics of Han Yuefu,this paper focuses on the analysis of its entertainment function.Yuefu organs also eased and resolved the ethnic contradictions between Hu and Han with their wonderful performances of music promotion activities.The prosperity and prosperity of Yuefu’s advocacy activities also promote the development of Yuefu artists and Yuefu’s lyrics to a certain extent.The performances of the "end-of-the-road" actors in the Han Dynasty also added more entertainment to the popular music performances of the Yuefu organs in the Han Dynasty.With Lyric orientation as the focus of the research,further combing the relationship between Yuefu Lyric texts and music advocacy activities.The sixth chapter discusses the literary form of Yuefu Poems in Han Dynasty and the Compilation of Poems.From the perspective of the internal construction of Yuefu texts and the collation and annotation of texts,this paper investigates the context and annotations of classical studies in the generation of Lyric texts,which mainly focuses orn The Songs of the Suburb Temple,Miscellaneous Ballads and Qin Cao.On this basis,some supplements and annotations are made to the text of Miscellaneous Songs and Ballads of the Han Dynasty in order to sort out and restore the features of the text of Yuefu Poems in Han Dynasty as far as possible.