On The Creation Of New China Biopics (1949-2010)

On the foundation of previous researches made by others, this thesis on the basis of the biographical films in the People’s Republic of China(refers to Chinese Mainland) (1949-2010) makes a comprehensive comb and reflection, trying to offer some beneficial enlightenment and reference to the same type film creation in today.This thesis will not understand the biographical films creation practice isolated, but both read each biographical film, and care of the film production era, concerned organizations and announcing the identity; both care of what the image is in the film, and dialysis "this image how to create"; both care of the significance of image itself, and put it in the whole history biographical film creative exploration.The whole thesis includes three parts:the preface, text by four chapters and epilogue, composed of six chapters.The first chapter of "introduction" puts forward biographical film standpoint, a more detailed division, so as to determine the scope of the study, at the same time introduces situation of this topic and makes the brief review of biographical film creation before 1949.The second chapter investigates the biographical films creation course and the fracture reasons in"27 years(1949-1976)".Comprised of three parts:First,discusses the biographical film as three regional Changying,Shanghai,Bayi, analyses the biographical films creation in the classic values and the history of the biographical films creation interrupt causes. Secondly, analyses production and adopted by criticism fate from the perspective of the type of the biographical film on WuXunZhuan.Finally, discusses and refines the art and historical contributions of director ZhengJunli in biographical films field.The third chapter focus on the biographical films creation in new period (1977-1999).With theme strategy implementation,the biographical films creation is divided into two stages:diversity creative stage and theme creative stage.The older generation revolutionist to criticize the extreme left history, ancient historical perspectives,modern bourgeois revolutionists, and no mission colour character, the various biographical films,collected pluralism situation;In theme strategy,the biographical films revolutionary leader and YingMo emerge in a large amount,but contains a number of problems and crisis behind the prosperity. The fourth chapter focus on the biographical films creation in the process of industrialization in new century (2000-2010), makes a dialectical expounding and evaluation on the director Ding Yinnan, his biographical films creation practice.The fifth Chapter,from the choice of major character,the image and narrative model, overall reads the biographical films creation,and makes a brief summary in narrative mode, especially a meticulously combed and reflection in growth narrative pattern.The sixth chapter, epilogue compares the biographical films creation between Chinese-foreign (refers to Hollywood), and puts forward the future way of the biographical films creation in China:remove subject consciousness, establish the type idea; change types misreading, correct type’s stance; strengthen type design, has the global vision. Only hardly models the vivid, credible personality and notice the distinctness in historical true enlightened image and artistic true, the biographical films creation will win now and future. In short, this thesis hopes to provide certain theoretical and historical reference, so that the biographical films will develop better in China.