| This dissertation uncovers the processes of negotiation between private citizens, President Woodrow Wilson’s administration, the War Department, and the Commission of Fine Arts that led to the establishment and final visual presentation of the United States permanent World War I cemeteries in Europe (sites that are still frequented by tens of thousands of international visitors each year). It employs archival research and the analysis of newspapers and photographs to recover the voices of the many stakeholders involved in the cemeteries’ foundation. Whereas previous studies have attempted to understand American World War I commemoration practices by focusing on postwar rituals of remembrance alone, my study contextualizes and explains postwar commemoration by analyzing the political ideologies, public rhetoric, and material realities of the war years (1914–1918)—ideologies, rhetoric, and material realities that shaped official and vernacular projects of memory after the Armistice. Providing what I believe is the first complete history of American World War I cemeteries in Europe, my dissertation situates these rhetorically charged sites within contemporary political debates about what it meant for U.S. soldiers to die on foreign soil; what would constitute the “proper” treatment and commemoration of the nation’s war dead; how much control the U.S. government should have over the lives and bodies of American citizens; and, how best to communicate the nation’s image to international populations. |
