The Evolution And Spread Of Folk Songs Of The Ming And Qing Dynasties In Shandong

As a unique cultural and musical phenomenon,Folk Songs in Ming and Qing Dynasties rose in the north at the end of Yuan Dynasty and the beginning of Ming Dynasty,and then spread to the south with immigration due to the influence of war,and then spread to the north again with the shift of economic and political center after Ming Chengzu moved to Beijing.During these two exchanges between the North and the South,the Folk Songs of Ming and Qing Dynasties attracted a wide range of audiences and singers because of their simplicity,popularity and beauty,and began to spread all over the country,and even spread to Japan and other overseas countries.In the process of spreading Folk Songs in Ming and Qing Dynasties,Shandong,as an important hub connecting the north and the south,is the main place where the two development centers of Folk Songs in Ming and Qing Dynasties move.Folk songs in Ming and Qing Dynasties can be introduced into Shandong by immigrants from merchants,artists and other reasons of the canal and seaport generation.In addition,the music history in Shandong is very long,from the birth of the original social music and dance to the most complete retainer of Zhou Dynasty's elegant music;From the lively and straightforward style of Qi state to the fusion and development of the palace and folk music,there are not only the sprout of music in historical legends,but also the elegance of the palace,and the willingness to return to the folk.Under such a unique geographical location and rich music history,the popular music of Ming and Qing Dynasties in Shandong has the characteristics of both elegance and vulgarity,and on the basis of preserving the local music characteristics of Shandong,it combines the essence of tones in the north and south,and has the music characteristics of Yanbei and Jiangsu and Zhejiang.Therefore,this paper takes the Folk Songs of Ming and Qing Dynasties in Shandong as the main research object,and makes a systematic and comprehensive study on the Folk Songs of Ming and Qing Dynasties in Shandong by collecting,consulting,combing historical documents and existing information about the Folk Songs of Ming and Qing Dynasties,combining with the perspectives of communication and sociology,from the propagation channels of the Folk Songs of Ming and Qing Dynasties in Shandong to the evolution of the Folk Songs of Ming and Qing Dynasties in Shandong.In this paper,the Ming and Qing Folk Songs are defined conceptually,and the development process and remains of Ming and Qing Folk Songs in Shandong are sorted out,which lays a solid foundation for the in-depth study and micro-analysis of the evolution and dissemination of Ming and Qing Folk Songs in Shandong.Then,the paper analyzes the three specific communication channels of Shandong Ming and Qing Folk Songs on the network,namely,"natural communication","literati communication"and "folk communication",and concludes that the main communication modes of Shandong Ming and Qing Folk Songs are canal and immigration-based natural communication;Literati communication not only preserves the "truth" of Folk Songs in Ming and Qing Dynasties,but also realizes the change of cultural circle for Shandong popular songs,and opens up the "secondary development and dissemination" of Folk Songs in the balance of "elegance and vulgarity",so that the Folk Songs in Ming and Qing Dynasties spread to Shandong can be reloaded;On the basis of natural communication and literati communication,folklore communication complements the above two communication channels with its characteristics of being close to life.Finally,through the analysis of the evolution of the Ming and Qing folk songs in Pu Songling's Folk Songs,the classic folk music in Southwest Shandong-Five major tunes in South Shandong,the canal music's representative Linqing time tune,Shandong's most representative local drama Lv Opera,and Liuzi Opera,four famous dramas in Ming and Qing Dynasties,the paper summarizes the Ming and Qing folk songs that spread into Shandong,which will have local music belonging to Shandong during their evolutionBy analyzing the evolution and communication network jointly constructed by Shandong Ming and Qing Folk Songs in the process of inheritance and development,this paper proves that the evolution and communication of Ming and Qing Folk Songs in Shandong are upright and innovative,and it is precisely in this process of unification and difference that Ming and Qing Folk Songs can be enriched and developed in Shandong until they are spread to the whole country,which in turn promotes the development process of Ming and Qing Folk Songs in China.This conclusion obtained from the research on the evolution and communication of Ming and Qing Folk Songs in Shandong area is also applicable to the whole development process of Chinese traditional music.Therefore,it is necessary to study the evolution and dissemination of Shandong Ming and Qing Folk Songs from the secular world.