Build "music" With "sound"

"Sound",no matter what kind of it,may be used to create electroacoustic music.However,sound is not directly equal to electroacoustic music.If traditional music is said "organized notes",acoustic music will be "organized sound",and organizing the musical elements in the sound to electroacoustic music is the basic process of music creation.However,the musicality of sound is not obvious,and acquiring the musicality of sound is a prerequisite for organizing sound to construct music.In more than ten years of technical learning,theoretical research and practical creation,the author has deeply realized that it is very important for the creation,research and aesthetic appreciation of acoustic music works to find out how to build "music" with "sound".On the level of theory,this paper bases on Anton Ehrenzweig's theory of "representational factor" and "non-representational factor" that corresponds with "surface consciousness" and "deep consciousness" in traditional "musical sound" system music works,which is extended to the"sound" system to expatiate on the musicality of electroacoustic music sound materials.And the author expounds the specific idea and method of acquiring musicality in the sound with the support of "deconstruction" and "reconstruction".On the level of practice,by analyzing several electroacoustic music works with different organizational methods and different musical characteristics from different periods,this paper discusses how to "extract" musical elements from sound and how to "organize" sounds with musical elements to create acoustic music works.It is argued how to acquire the musicality of sound by the idea of deconstruction and reconstruction from theory and practice,organize the musicality of sound and realize the practice of constructing "music" with "sound".Finally,the author defines and expounds the basic creation concept and aesthetic concept of constructing music with sound in acoustic music,"music in sound" and "sound in music"respectively,and such viewpoints are important guiding concept for creating and appreciating electroacoustic music.