Research On Chinese Northeastern Folk Music In Modern Times

The research on Chinese folk music and culture has attracted the attention of the academic circles and achieved certain research results.However,the research on folk music and culture of Chinese Northeastern is still very weak.This dissertation gives full play to the advantages of the author's professional knowledge structure and regional literature resources,and uses the theorical methods and perspectives of related disciplines,such as history and musicology.To conduct interdisciplinary research and experimentation,and to systematically,comprehensively and deeply explore the folk music culture of northeastern nationalities in modem times so that it is conducive to study the socio-cultural history in Northeast China.The content of this dissertation is as follows:First,the national folk music culture and the social environment in Northeast China.It mainly expounds the influence of modern Northeast social environment on the ethnic and folk music culture in Northeast Frontier,including the natural ecological environment,socioeconomic environment,socio-cultural environment,ethnic composition and distribution of the nationalities' survival,and analyzing the influences of the social environment of Chinese Northeastern to the folk music culture of the Northeast.It benefits to theoretically explain the forms and characteristics of national folk music of Chinese Northeastern in modem times,and objectively grasped the main contentSecond,the historical investigation of folk music in Northeast China.Using long-term research methods,the ancient folk music of Northeast China and the modern time of Northeast China was inspected.The folk music of the ancient folks in Northeast China,named the Sushen,Yilou and Wuji music in the ancient northeast;the Mohe folk music of the Bohai Kingdom,the court music,and the spread of the"Bohai Music" in later generations;the Jurchen music of the Jin Dynasty and the folk music of the Jin Dynasty.Since the Qing Dynasty,with the development of the Northeastern ethnic groups,the inter-infiltration of the cultures among the various ethnic groups and the regional customs of the various ethnic groups have formed the Mongolian grassland music culture,the Manchu shaman music culture,and Korean-Chinese music culture,etc.,to present the unique folk music of Chinese Northeastern.Third,the types of folk music in Northeast China.Including the Northeast folk songs,folk song and dance music,rap music(Quyi music),religious beliefs and national music,folk drama music(opera music),folk instrumental music.Explaining and analyzing the inner art form,the artistic origin of music,the multi-cultural temperament,and the beauty,aesthetic taste and pursuit of art in the folk music of Northeast China.Through the enumeration of cases,the beauty of "chant and soft" in the melody music is reproduced.Through the analysis and description of the rich connotative emotions and objectivity of Northeast Frontier ethnic and folk music,it demonstrates the native music culture of Northeast China,the inseparable emotions and aesthetic expressions in the social life of various ethnic groups in Northeast China,and the interplay between thought and culture contact.Fourth,the artistic characteristics of national folk music culture.The locality,commonness and particularity of Northeast national folk music,the historicity of the world,and the artistic charm of Northeast national folk music are explored in depth.The locality reflects the long history of the Northeast,and the various ethnic groups absorb the essence of the fusion culture,forming the folk music of northeast nationalities with local characteristics,such as the Northeast folk songs,the Yangko,and the song-and-dance duet popular in the Northeast.Commonness or universality refers to the "superimposed domain,of many intersecting circles of "family" and"personality" of Northeastern music art,the "consensus zone" of aesthetic imagery,and the "big direction" of ideal and progress.Particularity refers to the polymorphism and diversity of folk music in Northeast China,as well as the individuality and artistic difference of art.Cosmopolitan reflects the influence of the folk music and dance music culture of Russia,North Korea and other countries,and forming the artistic characteristics of Chinese Russian and Korean music.Japan uses Japanese music as the "media" to receive Western music from Japan introduced to China.The beauty of Northeastern folk music is unique and exists in music and the artistic combination of music.Fifth,exchange and integration of folk music and culture in Northeast China.Han music and folk culture.Manchu music and shaman culture focus on the "musical characteristics" and "literature characteristics" of the shaman songs,Yimqin,Xisha,Tongken and so on.Mongolian music and nomadic culture have experienced three periods of music culture:forest culture,grassland culture,and coexistence of grassland culture and agricultural culture.Its distribution is formed into five color regions.Folk music of Mongol nationality includes Mongolian folk songs,musical instruments and songs,folk songs and dances,song and dance music,etc...Korean Chinese music and farming culture can be roughly divided into three categories:court music culture,folk music culture,and religious music culture.The music of the Oroqen nationality and Hezhen nationality people and the culture of fishing and hunting are mainly based on folk songs.They are roughly divided into three categories:"Cambodian Darren","Lurigeren" and "Shaman".Through historical "fact narrative and problem analysis",the integration of folk music and culture of various nationalities in Northeast China,the exchange relationship between folk music within and outside the region,and the inclusiveness of Northeast ethnic unique music style and traditional culture are more reflected.Sixth,inheritance of intangible cultural heritage in northeastern folk music.Remains of folk music in Northeast China-folk song-and-dance music,folk song rap,folk ballads,types of operas,national epics,folk quyi and folk instruments,etc...The author will conduct field investigations and visits to the ethnic settlements many times.This research paper selects two types of typical cases of treasures of national culture and art in the music culture of Chinese Northeastern,Northeastern local folk operas-Jilin Nong'an Huanglong Opera and Korean rap art "Pansori",to investigate.It is hoped that on the basis of detailed and objective theoretical basis and historical documents,the treasures with ethnic and cultural characteristics of the Northeastem region will be gradually explored,researched,and organized.In this way,the inheritance of intangible cultural heritage is established,the system construction of traditional ethnic folk music and art such as local dramas and tunes is protected,and the ethnic and folk music culture of Chinese Northeastern is protected and promoted.