Artistic Presentation And Aesthetic Cognition Of Physical Factors In Movie Video

From Plato,Aristotle to Descartes,from Leibniz to Nietzsche,and regardless of whether the basis of his or her theory is the dualism of mind and body or the integration of mind and body,the beauty of the body is given full attention,that is,"human beings are the existence of beauty".And "beauty is the manifestation of the secret law of nature"(Goethe).Therefore "nothing is beautiful,only man is beautiful.All aesthetics is established based on this simple truth,and it is the first truth of aesthetics"(Nietzsche).At this point,we have confirmed that the body is the object of aesthetics,and the body can also be the subject of aesthetics."The aesthetic sense of the body cannot explain or prove our aesthetic judgment,but they can help us improve our aesthetic ability and even enhance our moral strength"(Shusterman).With the development of science and theory,in recent years,the aesthetic theory formed by reference to brain science has been formed in the West and China.Called cognitive neurology in China.Cognitive neuroanalogetic theory is a new approach to aesthetic research.It proposes the "aesthetic cognitive module hypothesis" and believes that the aesthetic cognitive module is a temporary nerve established by human activities in the practice activities through the activities of the brain cognitive nervous system.structure.There are several important factors in this neural structure: one is the form of perceptual mode,that is,the nerve traces that people retain when they perceive and remember the shape of things;the second is the understanding of the value and meaning of things;Emotions formed by the understanding of the value and meaning of things.Among them,the pattern of form perception is the most complicated and maximum factor,and has the closest relationship with artistic aesthetics.The beauty of the form of the human body is perhaps the most aesthetically pleasing aesthetic,thus forming a cognitive module about the body in the nervous system of the brain.With the social development of human beings,more behaviors and actions are “seen” by our brains to form more cognitive modules.This paper takes the cognitive neuroanalogian theory as the main theoretical basis and draws on other related theories.For example,the discovery of mirror neurons and their theory add a physiological foundation to cognitive neuroscientology.The research pioneer of mirror neurons,Marco Yakovoni,talked about the film's fidelity."The mirror neurons in our brains will copy the suffering we see on the screen." Because the mirror neurons are triggered when we perform some kind of action and when we watch others perform that action,that is,the body behavior action and the visual perception can construct the same form perception mode.This paper combines these theories with the aesthetic practice of specific film art,and outlines the artistic representation and aesthetic cognition of physical factors in film vision.The artistic representation of the actors' body movements and behaviors in the film's video complements the aesthetic cognitive module of the subject.It can not only help the subject to establish a new cognitive module,but also expand the aesthetic cognitive ability,and activate the subject's existing cognitive modules to form a sense of beauty.The actor's body movement behavior is the artistic representation of the cognitive module of the mobilization.The main way is that the visual perception form of the body as the aesthetic object conveys the "biased tension" or "sports" in the viewer's nervous system.The subject perceives that the external manifestation of this form of visual perception is the beauty of the body form of the actor.According to Gestalt psychology,it is seen that the leafy leaves are characterized by a “rise” type tension structure,and the broken bridge branches are characterized by a “declining” type tension structure.The structures of these forces are transmitted to the cerebral cortex area through the visual nervous system and cooperate with the body.Perceive to form a pattern of perception.Therefore,the paradigm of formal perception mode not only includes cranial nerve activity,but also contains the body perception mode.The whole aesthetic activity will permeate a kind of “meaning or soul”.The body in the film of the film described herein includes both the physical body as an aesthetic object and the spiritual body with aesthetic consciousness.The artistic representation of the so-called physical factors,that is,the beauty of the human body displayed in the film through the actor's body,the beauty of the body form is perceived by the audience,and the gaze of the gaze is ingested by the audience,thereby completing the audience from the eye-body-heart composition.The cognition of the entire body system.The body is not only an aesthetic object,but also an aesthetic subject.The human cognitive system is not just a closed brain.Since the nervous system,body and environment are constantly changing and interacting,true cognition is a unified system consisting of three.The concept of "movie video" used in this article is different from the so-called movie image.The Gain video contains viewpoints,angles,and similar meanings.The extension of the image is larger than the video,but the connotation of the video is larger than the image.As the story of "The Tanjing" : "There is a wind blowing,a gust of wind,a move.Hui can enter: non-wind,non-inciting,benevolent heart." Movement is an image,but the heart is the vision.The reference to video is more philosophical than the image,that is,the video contains both the images directly seen by the eyes of the movie,and the various perspectives that our eyes can't directly see,but need the whole body to perceive.Screen of(actor,director,audience,camera).As the saying goes,"Art exists not only in artifacts called art,but also in the dynamic experience and behavior of creating and perceiving them.He is the joy of instant and the harmony of permanent marks"(Zhu Liyuan).Based on this,we extend the theoretical scope of the aesthetic system to the whole body,because the whole body exists and is generated as an aesthetic cognitive module.That is: we do not "own" a body,but our body uses the systemic thinking of "existence" to construct an aesthetic cognitive module,in order to achieve an aesthetic cognition of the body in the film vision.The effect is that: The first look is the body of the "body",the second look is the living body in mind,and the last look means somebody can realize the aesthetic body.It's called the aesthetic cognitive realm that “when we see the mountain or the water,the mountain or the water is in our eyes,but we can feel more except for itself,but we can gain its beauty.”...