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"Middle-aged Reform"—Multiple Composite Research On Xu Wei's Painting And Calligraphy Modeling World

Posted on:2020-01-13Degree:DoctorType:Dissertation
Country:ChinaCandidate:M C LiuFull Text:PDF
GTID:1365330575467922Subject:Fine Arts
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Xu Wei,an outstanding figure in the art history of the middle and late Ming Dynasty,took an active part in the struggle against Japan in his early years,and twice paid close attention to the defense of the northern border crossings of the Ming Dynasty.He is notonly a writer,poet,but also a calligrapher and painter.His experience in Hu Zongxian's shogunate made him show his military ability of "know-how soldier curiosity plan".It is difficult for us to define his identity only from the perspective of calligrapher and painter.Therefore,in order to get a deeper understanding of Xu Wei's calligraphy and painting art,this paper analyzes Xu Wei's heart,poetry,drama,calligraphy,painting and the typicality under the background of the times independently through the analysis and research of six chapters,and interlaces them with each other,paying attention to the complexity and complexity of the numerous perspectives.What kind of far-reaching influence will it bring to Xu Wei's calligraphy and painting,so that we can enter the spiritual world created by Xu Wei's numerous literary and artistic achievements,and gradually have a clearer understanding of the lonely and arrogant soul under the multi-repeated vision.In the first chapter,we find that Xu Wei's life experience is closely intermingled withhis nature by investigating many aspects of Xu Wei's ideological and personality information.His temperament is based on a sensitive,straightforward,impatient temper,through the frequent setbacks in life gradually formed jealousy,rigid,arrogant,stubborn character.In this chapter,the relationship between Xu Wei's personality and the psychological environment in which he grew up as a child,and the causes of his:abnormality and strangeness based on "abnormal psychology" were discussed in depth.The second and third chapters respectively locate on Xu Wei's poetry and drama,we find that Xu Wei cannot be himself if he had not encountered the frustrations and misfortunes.It is life that determines our choices,not the choices that determine our lives.It is Xu Wei's hard life that has experienced his poetic soul.His poetry gets the essence instead of:external form,deep in law and slightly in appearance.His essays express his mind and admire simplicity.His plays enable us to perceive his idealized remolding of the real world.The fourth and fifth chapter major on the study of Xu Wei's calligraphy and:painting.On one hand,we made a thorough study of the rules and characteristics of Xu Wei's calligraphy and paintings,as well as the relationship between the acquisition of his painting modeling ability and his outstanding calligraphy ability.On the other hand,this part is focused on the deep understanding of his "talent,courage,knowledge,and power"through his poetic and dramatic creation practice.We made detailed analysis on his self-evaluation of the order "First poems,Second calligraphy,Third articles,Fourth paintings".Chapter 6 starts with the situation of the times and focuses on the humanistic:environment in eastern Zhejiang during the mid-Ming Dynasty.During this period,theMing Dynasty government faced internal and external troubles,and the prosperity of the commodity economy in the south of the Yangtze River brought about changes in secularcustoms.If Xu Wei is a typical representative of savages in the humanistic environmentof Eastern Zhejiang Province in the middle and late Ming Dynasty,as an individual,hereflects the epitome of many phenomena of that era.The detailed study of Xu Wei in such an environment enables us to trace out why Xu Wei's literary and artistic creation presents an open and grand,strange and sad climate pattern,closely related to his national feelings:and undertaking spirit.Taking the 45-year-old wife-killing and imprisonment as a watershed,Xu Wei's life:direction has undergone a major transformation in the "middle-aged reform".But he was able to pioneer the freehand brushwork of ink and wash in the history of Chinese art late and excellent,so that we can study Xu Wei's painting and calligraphy world in a multi-perspective,and have a deeper understanding of the traditional Chinese literati painting.
Keywords/Search Tags:Xu Wei, poetry, literati, Chinese painting, calligraphy, Deformity psychology, Wang Yangming's theory of the mind, plastic art, inner trancendence
PDF Full Text Request
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