Zhang Lei's Poetry Research

Zhang Lei's poetry has traditionally been considered as a "different tone" in Song poetry.His style is unassuming and impartial,and his style of writing is different from that of "Sumen"troubadours.Although there are blemishes at random,most of them are bright and beautiful.He is the most typical representative converter from Tang to Song in the Northern Song Dynasty.His style of poetry inherited Zhangwang Yuefu,simple and subtle,and his long sentence avoided Jiangx's style,regaining Du Fu's grandeur and opening the "Du style" of the Ming Dynasty seven sons.He imitated Bai Juyi in his later years,pursuing natural and simplicity.because of his fear consciousness,his poetry including implied message,showing the characteristics of implicit and twisted euphemism.However,when the strokes are not yet available,it is inevitable that his poetry both inside and outside is faint and tedious.Based on these three kinds of creative paradigms,in the late Tang Dynasty of the broad poetry style of imitating Tao Yuanming,his poetry formed his strong and distinct "Wen Qian style"."Wen Qian style" reflects the diversified characteristics of "Song tune" and it is a single paradigm that Song people's poetic creation strives to break through.It explains the art tension of poetry from the perspective of the unity of opposites in which the exquisite workmanship was used to create a plain,natural and plentiful style.From the perspective of depicting the living environment and psychological status of the scholar-bureaucrats in the late Northern Song Dynasty,"Wen Qian style" also reflects the overall emotional and personality power of the Song people who were caught in the party struggle under the persecution,which is a kind of transforming,from the "nature" of the outside world to the heart delivery,to the "flat" of Song Xian spirit of the impatience and the maintain.This article attempts to reveal the formation and artistic quality of Zhang Lei's poetic style under the cross perspective of social history,literary history,and political history.It mainly contains six aspects:First,from "scholarship" to "co-workers"-from the evolution of the nature of "Sumen"."Sumen" developed from the initial teacher-student relationship into a literati group that integrates politics,academia,literature,etc.,during which there is a complex evolutionary course.With the changes in the nature of "Sumen",the original harmonious teacher-student relationship had created unavoidable gaps and misunderstandings.As a member of the "Sumen" subgroup network,Zhang Lei witnessed and participated in this process.In order to understand its main character and reveal his profound impact of its poetic features,academic concepts,we explored his role and position of in the "Sumen" and grasped his social environment more comprehensively,Second,Zhang Lei Yuefu's "temporal first" and Song Yuefu view's delivery.After the middle period of the Northern Song Dynasty,Yuefu focused on innovation and change."Sumen"scholars further downplayed the original meaning of the genre and expressed the daily life of the literati in a Yuefu genre.Huang Tingjian focused on the new changes and made up for Yuefu's creative leadership.In order to return to the theme of ancient Yuefu,Zhang Lei focused on imitating Zhang Wang and reflecting the folk suffering.After the middle period of the Southern Song Dynasty,Yuefu's style regained its stability and stability,and advocated the joy of peace.Zhangwang Yuefu is regarded as a Yuefu classic paradigm,where Zhou Zizhi,Liu Kezhuang,Lu You and Lii Benzhong are the representatives.Zhangwang Yuefu is promoted to Li?Du?Yuan and Bai,and it is praised as the "temporal first".The formation of its classicization is based on the Yue Song poetry concept and the rites of the Southern Song Dynasty.Third,Zhang Lei's "long sentence" of "Du style" approach.The Jiangxi scholar of Poetry Huang Tingjian,Chen Shidao,etc.,compared to Du Fu's poems,followed the part of its hard style,and abandoned his full-length part of grandness and powerfulness.Zhang Lei's "long sentence"regained Du Fu's magnificent style.It portrayed the scenery and thought that style of imitating Du as a new idea,which was consistent with the seven sons before and after the Ming dynasty,and the "Du style" was presented exactly the same.The double-word rhyme of Zhang Lei's "Long Sentence" and the episode of rash writing are not unrelated to the "Du-style" and "Bai-style".It is the opposite of the new strangeness and power to the vulgarity of the Jiangxi poetic disgrace.The different styles of "Song tune" is interpreted from another angle.Fourth,Zhang Lei's "imitation of Bai style" in the later years of his career.In his later years,Zhang Lei's poetry of "Bai style" was artistically simple,and elegant.There is always a hint of good luck,better than before,losing its fine point.In ideology,his style changed from the contentment of Taoist of "Bai style" to the enduring of Buddhist,facing real pain and accepting defects in life.At the secular level,He proposed the "Taobai Warrior",affirming Bai Juyi's secular feelings.He seriously considered the proposition of maintaining basic survival under adverse conditions.In the spirit of the main body,he surpassed Bai Juyi's life attitude in seeking personal care and avoiding struggle,and embodied the ethos and beliefs of the scholars of the Northern Song Dynasty.Fifth,the "Wen Qian style":the pluralistic connotation of "natural and Tang style".The"Wen Qian Style" is a combination of three styles:Zhang Wang,Du Fu and Bai Juyi,which is a summary of the style of the latter Tang poetry.In terms of artistic characteristics,it uses Tao Yuanming's "nature" as a source.Ideological conception is simple and natural,and imagery is natural and pure.On the method of creation,he advocated the harmonious unity of external simplicity and internal hard work.The "Wen Qian Style" not only embodies the general sentiment of the party members fighting for the destruction of the ruthless ministers,but also rebuilds Tang Style's lyrical tradition.In the Southern Song Dynasty,he became the source and support of poetic styles of Yang Wanli,Lu Benzhong,Lu You and Fang Hui,which had made a certain contribution to save the disadvantages of Jiangxi poetry and played a role in rectifying the Song poetry.Sixth,there are a number of issues in Zhang Lei's collection.Through Zhang Lei's collection of books and Sumen friends' mutual confessions,new epitaphs and other epitaphs,We can restore the truth of the book and make up for the Zhang Wen qian's Chronicle,which was caused by Shao Zushou's own judgment or due to the fallacy of the arrival of Zhang Lei's poetry,Which has certain value for us to know Zhang Lei's life and the Sumen exchange.