Cultural Memory Of Dai Society:Investigation Into Dehong Dai Opera From Aritstic Anthropology

Dai Opera is nurtured in the Dai Folk Culture,and is grown and developed in the effect of Han culture expansion adhering to the artistic features of Chinese traditional opera "song and dance to his story",which embodies the essence of Dai Folk Music,dance,folk literature,folk art and other art forms.It is mainly spread in Yunnan Dehong Dai and Jingpo Autonomous Prefecture.The Dai village in Baoshan City and Burma counties that is adjacent to China,also have opera activities.In the long process of generation,Dai Opera has different forms,such as singing songs,Dai dancing,these unique style is to the interpret at of the story of Dai,reflect the unique artistic style,shape the characters of Dai life and distinctive ethnic characteristics of the comprehensive art form,which has become indispensable in our colorful drama treasure.At the same time,as a special carrier of memory,Dai opera in a dynamic way records,inheritance of Dai nationality's history and culture,has become an important and grand ceremony of Dai folk activities in the content and folk entertainment activities,it has become an important symbol of Dehong Dai culture and symbols.On 2006,Dai opera was included in the national intangible cultural heritage protection list.This research is mainly based on the perspective of art anthropology,the cultural memory line,historical cause investigation of Yunnan opera generation context,it also focused on historical origin and evolution in different historical contexts.Based on the field investigation which is fully as the basis,it will produce the special opera natural,historical and cultural space vector of Dai ethnic cultural memory as the background,the main content relates to social memory:why memory,how to continue what memory as the main line,the analysis of influence of the discourse power in the historical context and role and Dai Opera and the survival and development of modern culture in the context of space.From the social memory and the perspective of cultural identity,this paper expounds the value and significance as a national intangible cultural heritage of Dehong opera;at the same time,the analysis of multidimensional context and present development space opera inheritance and development of opera,inheritance way and inheritance path will be done.This thesis consists of three parts:introduction,body and conclusion.Among them,one to five chapters is the main parts of the thesis.Introduction:this part mainly stated the research background,research object and content,based on the theoretical background of related disciplines and the existing research results and dynamic analysis,put forward the research methods and research purposes of this paper,the research perspective.The first chapter:"the natural production of Dehong opera production,the historical and social cultural space with the generation memory carrier".This chapter mainly investigates on the opera of geographical space,historical culture,social culture in three spatial dimensions.The analysis attempts to develop through Dai opera formation,natural geography,social history and cultural background,from the diachronic aspects to clarify the formation and development of opera,the changes in the context.The second chapter:"how to remember the special carrier of the Dai culture"memory".This chapter mainly introduce from the synchronic aspect,through the introduction of the relationship between the various elements of opera and Dai culture,culture and society,Dai opera research in opera etc.Combing and focusing on the research object of this thesis--Dehong opera as the elements of related content is comprehensive memory carrier drama Ontology:text form,singing and acting form and showing the contents(including repertoire,subject,source and transplant subjects)and characteristics of the organization and performance of opera performance art,analyzes the relationship between space opera and Dai social and cultural integration,interaction,and opera in the Dai society function and value;to distinguish it from other memory carrier.The third chapter:how to remember the construction of the collective memory of the Dai nationality".This chapter is involved the author ' s investigation of field investigation records,mainly from the Dai Folk Festival--the Spring Festival,water sprinkling Festival,ceremony in the opera performances form and the audience and the opera relationship between three aspects,through the opera scene memory in different scenarios and construct specific morphological description of opera performances,opera culture background,information rich cultural history,and the relationship between opera and local people's life;it emphasizes the opera "how to" memory "what to memory" and the opera awareness and participation of the audience.The fourth chapter:"the memory of the reconstruction of cultural change in opera".This chapter describes the opera from 1949 to "changes in the course of the Cultural Revolution" period,from the reform and opening up,and the establishment of the identity of "intangible cultural heritage",aimed at the opera in different historical stages of change trajectory description,through the case of the two state opera art groups which highlights the impact of the national mainstream discourse and the impact to modern discourse from different periods the art of ethnic groups,as well as the traditional opera art form and the change of the value.The fifth chapter:"multicultural spatial memory extension--the inheritance and development of Dai opera".This chapter mainly goes through the analysis of the present multidimensional context,opera inheritance and development of Yunnan society development environment,the aim is to explore the development of space opera;through the system predicament in the process of the development of opera heritage and analysis,which is for discussing the inheritance way of opera in today's era background and in multi-context and inheritance path.The conclusion briefly answer to the question that the main problem mentioned in this paper,for example,emphasizing the opera as a special carrier of Dehong Dai nationality cultural memory,special value and significance in the course of carrying formation,development and changes,through the analysis of the inheritance and development path,the cause of the national intangible cultural heritage in the minority class opera art stimulate protection thinking.