A Study Of Shanyou's Poems During The Shunkang Period Of Qing Dynasty

The Qing Dynasty was the last period in the development of Chinese classical poetry,and its regional characteristics were very obvious.Based on Shanxi poetry in the period of Shunzhi and Kangxi as the research objects,this paper comprehensively analyzes the appearance,characteristics,poets and their creation during this period.And it will discuss regional characteristics of Shanxi poetry and personal characteristics of poets and their contributions during the period,thus exploring the effective connections between region and culture of times,and between region and poetic creation.Through the Yuan and Ming Dynasties,the focus of literature has been transferred once again from north to south,but the charm of Shanxi poems doesn't be covered.Although not as flourishing as Jiangnan poetry and Shandong poetry,Shanxi poetry inherits the fine tradition of the predecessors,objectively forming four poetic creation centers in Bingzhou,Shangdang Hedong and Yanbei,which have four different characteristics,mutual penetration and have the common features of times.On the basis of the creative patterns of Shanxi regional characteristics,the heroic and elegant,peculiar and natural situations emerge,forming the adherent poets and the new poets,commoner poets and official poets.And the creative situation becomes a unique and indispensable part of poetry in the Qing Dynasty.The paper is divided into three parts:introduction,main body,and conclusion.The introduction describes the research object,research status,research significance and research methods in this paper.The main body consists of two sections.The first section is for the overview.Based on the analysis of Jiaqing engraved the country in the right mountain poems(Shun Kang part),combining with the poems of the existing poets,it comprehensively analyzes the poetic appearance of Shanxi poetry in the period of Shunzhi and Kangxi,Qing Dynasty.The first chapter,starting from the reality of the poetic creation of Shanxi poetry,points out that four different creative centers in Bingzhou,Shangdang Hedong and Yanbei have been formed,analyzes the distribution of the poets in each creative center,and collects the poetic items and collections of Shanxi poets in the period of Shunzhi and Kangxi,Qing Dynasty.In the four poetic regions,poems are greatly affected by the culture of times in Bingzhou and Shangdang,by the regional traditional culture in Hedong and Yanbei.The chapterTwo analyzes the identity of Shanxi poets,who are numerous and complex,ranging from political dignitaries to adherents of the wild,also some learned scholars,from the pavilion to the folk,from academia to parnassus,from the central to the local.One of the most prominent features is the emergence of some incorruptible officials and many well-known ministers.The different status of the poets reflects some practical and eager emotions and embodies a strong sense of responsibility and scholar feelings.The third chapter analyzes the characteristics of the themes on Shanxi poetry.During the period of Shunzhi and Kangxi,Qing Dynasty,the themes of Shanxi poetry are mostly the traditional ones,such as the care of reality,the perception of the landscape,the promises of relatives and friends.Although they are traditional,the main themes of Shanxi poetry reflect the unique characteristic and pay more attention to emotional expression.And Shanxi poems,filled with reclusion psalms andsentimental mood,present the inner pictures,have little objectively realistic description,and show a strong sense of regional identity.The chapter Four is the analysis of the characteristics of Shanxi poetry.From the overall appearance,the poets are in the pursuit of the generosity and strength,and the majorities emphasize the simplicity of the language.But from the perspective of the individual poet,the styles tend to be the same.From the perspective of the times,when the Qing dynasty was founded,poems were mostly new,hard and obscure.After the establishment of the new dynasty,the poets gradually grow,and their poems are more elegant and more peaceful.From the point of view of the regional culture,the poetry of the poets who live in Shanxi province all his life is generous and strong,while the poems of the poets living in Jiangshan are more elegant and more graceful,greatly influenced by beautiful landscape and Southern scholars.The poet's personality affects the characteristics of poems from the rural village to isolated situations.The fifth chapter analyzes the characteristics of the poets' identity,theme and style from the perspective of the Shanxi regional culture and the culture of the Ming and Qing dynasties.It is believed that the diversities of Shanxi history have formed a regionally distinctive feature of Shanxi poems in the period of Shunzhi and Kangxi,Qing Dynasty,and that the miserliness is closely associated with the emergence of famous officials in Shanxi.The natural environment nourishes Shanxi poets's aesthetic awareness.The following section is a case study,which respectively demonstrates the poetic characteristics and achievements of the adherent poets in Bingzhou,the official poets in Shangdang,the reclusional poets in Hedong and the military poets in Yanbei.According to the article,during the period Shunzhi and the early years of Kangxi,the poets'activities,mainly adherent ones,gathered in the Bingzhou cultural area.In the late period of Kangxi,the Shanxi Parnassus was spread from Bingzhou to Shangdang and Hedong,at the same time,emerging some remarkably official poets and ordinary poets.The first chapter,based on Fu Shan and Dai Tingshi,discusses the characteristics of the adherent poems,in the combination with of the cultural features of Bingzhou in the period of Shunzhi and Kangxi,Qing Dynasty.Fu Shan is well known for his unyielding spirit,because Fu Shan has adopted a "meal" spirit,promoted "studious and without daily",and advocated that successful experience should be drawn from others.His thinking is very complex,so people often call him a heresy.According to the article,during the Jiashen event,Fushan had an obvious change from a heresy to a Confucian.Fu Shan put forward the poetic proposition of pursuing nature,and his poems are also presented in this way.This chapter analyzes Fu Shan's poetic style is peculiar,obscure and natural.The chapter Two discusses the official poets in Shangdang.On a detailed basis of Chen Tingting's poems,his poetic views are explored.It is not appropriate that Chen Tingjing's poems are leaves the body poem and harmony with sound.And it is difficult to summarize the whole appearance and depth of Chen Tingting's poetic creation.In addition to Chen Tingjing,the chapter also analyzes the poetic creation of Wu Tian,Zhang Taijiao,Bi Zhenji.Although all of them are the same poets,each has its own distinctive characteristics.The third chapter is the analysis of poets'poems in Yanbei cultural area.It is pointed out that the magnificent and desolate style of Feng and his son's poems is closely related to the cultural traditions of Yanbei cultural district.And the difference between Feng Rujing and Feng Yunxiang's poetry is influenced by the culture of the times.This chapter also analyzes the poetic creation of the official Wei Xiangshu,and thinks that some of the Wei Xiangshu's poems are characterized by the bleak and tragic Yanbei,but from the overall appearance leaves the body poem is well-known.The chapter Four is the analysis of the poet Wu Wen.Wu Wen,the disciple of Wang Shizhen,inherited and developed the profound reclusion tradition of Hedong,ending with the commoner poets.This chapter discusses the reasons why Wu Wen doesn't be appreciated,analyzes the relationship between Wu Wen and romantic charm advocated by its teacher Wang Shizhen,and gives a detailed analysis of Wu Wen's poetic creation.Finally,it analyzes modes of presentation of the regional factors in Shanxi poetry,and thinks that the identity and the sense of belonging for the hometown are the psychological basis of the regional characteristics of Shanxi poetry.The most intuitive ways of presenting are the regional folk life and the colloquial dialects.