| Landscape design is the product of social history.Before the arrival of industrial revolution,people from the western world mainly explore the perspective of beauty from the sense of rationalism,most of which are for the natural material simulation and reproduction,and therefore it comes with a strong axis of "symmetry" features;while the people from the eastern world are more respectful for intuitive perception,with strong emphasis on the relationship between nature and human emotions,which is often called the “pursuit of harmony between man and nature".After industrial revolution,under the dual influence of technical rationality and humanistic spirit,the the western landscape design form has been transformed to "equilibrium" gradually.Although China completed its industrial revolution later than the western world,its design pattern has presented the similar characteristics.When the post-industrial revolution and the information era arrived,ecological sustainable development has become the core issue of all mankind."Diversity","openness","rheology" and"self-organization" have become the mainstream of landscape design in the social context of the western world to dissipate the subject and deconstruct the mass culture of self-spirits.In the context of globalization,informatization,and openness of the“big data era”,China has been greatly influenced by the western culture,and its landscape design has also appeared the synchronic shape of the deconstruction in different degree.The deconstruction of landscape design forms a new outlook on the world and life,which becomes a symbol of human spirit in the contemporary society,which is conceptual,radiative and pioneering.The transformation of western ideology from logical-structure-post structure not only embodies the inner logic of the concept of landscape creation and the development of formal techniques,but also reflects the western social life conditions and aesthetic demands in different periods.In the 1960 s,the deconstruction of Western philosophical schools,represented by Jacques Derrida,strongly criticized and subverted the "logocentrism" that the western world often regarded as paramount since classicalism.Afterwards,the "binary opposition" structure evolved intomodernism,and started to reveal the complex,chaotic and pluralistic characteristics of postmodern society.Subsequently,Peter Eisenman and other architects with keen sense of innovation responded to the great changes of the times,overthrow the traditional architecture discourse system,and deconstructed the philosophy into the architectural to form a language of research which created many non-central,split,incomplete,dislocation,unstable architectural form,set off a worldwide design concept,content,aesthetics,significance and value of the wave of re-definition.The development of landscape aesthetics has always been consistent with the changes of philosophy,aesthetics,literature,art and architecture.It is the fundamental way to understand the essence of the world.Under the impact of modern information explosion and rapid globalization,the traditional way of thinking can no longer cope with the rapid changes of the contemporary environment,economy and technology,and the creation and pioneering spirit of deconstruction can carry out the transformation and exploration of design thinking,form and method.The study of contemporary landscape design has evolved beyond the traditional functional and aesthetic categories,extending into a solution to complex social problems and strategies.This article tries to make a relatively fair and objective judgment on the aesthetic intention of the controversial deconstructionist design,and analyzes the linguistic representations,semantic connotations and aesthetic spirits of the deconstruction of landscape morphology in the contemporary context by dialectical method,and then finds the deconstruction methodology in practical landscape design.Firstly,this article analyzes the time context of deconstructionism and explains the inner causes of the deconstruction of landscape morphology.It is pointed out that the three dimensions of society,philosophy and design are the original forces for the formation of landscape morphological language.Under the background of social changes in the era of globalization,the western deconstructive philosophical thought has stimulated the transformation of contemporary design thinking,form and method,thus constructing the dynamic and complicated form system of contemporary landscape.Secondly,combined with linguistic theory,this paper reviews the evolution of landscape design from modern "structure" to contemporary "deconstruction" and the "deconstruction" of contemporary landscape design vocabulary and grammar organization.It further analyzes the deconstructive presentation of contemporary landscape design,and the artistic characteristics of order,tense,combination,construction and medium.In addition,combined with many contemporary landscape practice case analysis of the deconstruction of the design of the phenomenon,the article indicates that the deconstruction has become the current popular sought-after a stylish design language.Thirdly,this paper reveals the semantics connotation of landscape text,the landscape aesthetic paradigm and the multicultural spirit,and retraces the meaning trend of deconstruction.The semantic connotation of contemporary landscape includes the disintegration of "central theory",the fuzzy "signified",and the annotation of creativity.Although deconstruction is opposed to a single interpretation of the meaning of the text,advocating the meaning is always virtual.However,the deconstruction of the meaning of the digestion itself is meaning,is to understand the contemporary landscape of the inner cultural spirit of the important ways.The profound meaning conveyed by the "deconstruction" of contemporary landscape design is the digestion of the aesthetic paradigm of landscape since modern times,and the symbol and metaphor of contemporary multicultural spirit.Finally,the paper discusses the contemporary Chinese landscape design from the perspective of “construction and deconstruction”.Based on existed problems of contemporary Chinese landscape design,this paper illuminate the enlightment of deconstructivism to China,and acception and criticism of deconstruction.Under the background of Chinese social context,it analyse the advantages and disadvantages of deconstruction getting involved in contemporary Chinese landscape design,and strive to provide a useful inspiration for contemporary landscape design innovation.The innovative points of this paper are mainly embodied in the following aspects:1.The interdisciplinary perspectives and research methods of landscape design,landscape architecture,morphology and linguistics are combined to examine the relationship between the contemporary deconstruction context and landscape morphology;2.In the context of deconstruction to observe the morphological language and semantics of the landscape,from the development of science and technology to human spiritual changes brought about by the contemporary landscapecreation in the deconstruction of design aesthetics;3.Deconstruction as an era Development of new design strategies,to a certain extent,expand the contemporary landscape design ideas and methodology,and will lead the human into a more contemporary spiritual life;4.This paper exploit a new thought for creative development of contemporary Chinese landscape design.In conclusion,the "deconstruction" of contemporary landscape is to adapt to the deep structure of the complexity of social development,is the explicit manifestation of contemporary human spirit.As a critical and innovative avant-garde design concept and method,"deconstruction" will create a pluralistic landscape world in which people and nature coexist harmoniously with the "structure" in constant interaction world. |
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