Meaning And Sound:Chinese Drama Studies In The 1930s

The 1930s drama studies Speaking from the late 1920s.At the end of the 1920s(mainly refers to the 1928-1930 years)there have been very active in the high-yield phenomenon of theatrical creation,capital operation,national mechanisms and revolution to popular belief among the Trinity,the formation of an overlapping modern landscape,determine and opposition of world relations,but also a personal crisis,the drama can not be achieved in the face of the main real,the concentrated expression of the different levels of sad mood,on this basis,the creation mode changes as the lines indicate that a "self-"authorization perspective,showing the diversity of individualism,on the one hand,subject to political and practical rationality,causing deep psychological structure of revolution and dramatic coincidence,the play from individualism to collectivism,from Romanticism to the anti-romanticism;other hand,some writer the other hand,in the value of a rational level itself.Along with the modern state-building process,revival and salvation in a particular historical situation gradually clear focus,the theater is committed to reproduce a "capital" of the National,the imagination of the nation-state,there is a different perspective,this upper case shows the three faces of the nation-state"," uppercase "creation confined to the meaning of the concept of" revive "the concept of requirements drama"omitted "subject individual" aphasia ",speech,discourse and narrative time constraints drama.Received by the audience recognized the theater by virtue of the crisis,funny to make up the gap of the plot of stagnation,won a theatrical effect to a certain extent,but this the popularization no doubt is expedient,in the theatrical aesthetic in form,there are a number of problems.1935 years ago,after the drama transported gradually from the control of pre-culture under high pressure,a turning point in theater showing a variety of gesture,the 1935 drama shipped a new landscape is inseparable from this attitude,because halftogether,so to survive,a half away,but also to some extent,practice the art of independent value.If uppercase nationals suspension build the freedom of the subject individual,then,so the performance of a more complete variety of national subject is its washback and amendments.These works are trying to break through the absolute of philosophy,from and life of individuals closely related to understanding the modern nation,the state property,it is no longer established a copy of a political philosophy.The same time,drama will explore the irrational significance hidden double discourse of reflection and reconstruction of individual survival.It is particularly important,Cao Yu,has created a dramatic new form of "expression" double discourse of the secret;By the witty comedy,the drama also highlight this Enlightenment position around the emotional experience of the Source of Life,membership in order to lift the repression,to avoid the lack of freedom aspirations,negating the utilitarian value orientation dominated by modern material and mechanical civilization;Zhang Tianyi,Baichen,Hong Shen,Cao Yu and other people to reflect further on the rational mask,refined and popular tastes varied,reversed relations show a modern new Facebook,revealing the size of the cultural traditions displacement and dislocation,that the polarization of the multiple differentiation and popular groups of the intelligentsia identity distinction,At the same time,the theater also discriminates the old sediment in the modern new mask,which,Cao Yu profoundly captures the sex swing phenomenon,that is,male castration,female parents and androgyny discourse.