A Research To The Diffusion And Creation For "CHINESE POETRY" And The Traditional Poetry In The New Times

This dissertation explores the relationship of intertextuality between the magazine "Chinese Poetry" and the traditional poetry in taking the theoretical way of "magazine-style-literature". The dissertation analyzes the communication mechanism of "Chinese Poetry " in order to expound that the magazine media being represented by " Chinese Poetry" has great effect on the development of traditional poetry.By combining the internal and external research way, the body part of the dissertation analyzes the relationship between the mass media of traditional poetry after Republic of China and the creation of traditional poetry; discusses the founding process of "Chinese Poetry" and the Chinese Poetry Academy and their purposes; expounds the writing features of the traditional poems written by traditional poets and published by "Chinese Poetry"; makes the research that "Chinese Poetry" has special communication mechanism in the New Literature Period and "The Critical Review" in Republic of China and "The Contemporary Poetry" in South of China enlightened the development of "Chinese Poetry".To be specific, the first chapter discusses the relationship between the traditional poetry and the mass media of traditional poetry since Republic of China. From the first year of Republic of China to the period of Reform and Opening, traditional poetry have been spread mainly by traditional print media and they have experienced the three phases: from the shelter to the alienation (1910-1920s); from the early recovery to the prosperity (1930-1940s); from the depression to the fight (1950-1970). Since the New Period with the interaction between electronic media and traditional media, traditional poetry have developed vigorously and have begun the way from the fighting to the recovery.The second chapter restates the status of traditional poetry from the perspective of founding "Chinese Poetry". The Chinese Poetry Academy was established in 1987, which contributed to the birth of "Chinese poetry". "Chinese Poetry" was published in 1994, which greatly reinforced the status of traditional poetry in style, the society and the literature history.The third chapter discusses the traditional poetry's writing creation with the concern of "Chinese Poetry". The poets publishing the poems in "Chinese Poetry" can be divided into three categories: "old poets" (Xia Chentao, Tang yuqiu and Yu Pingbo), "one hundred poets" (Ye Jiaying, Lin Conglong, Liu Zheng and Li Rulun), and "the new poets"(Jin Xin, Xiong Dongyao, Chen Yuhei and Wang Yaping). The three groups of poets almost represented the three generations in the traditional poetry of the 20th century. The old poets often write significant topic for resisting Japan and saving nation; One hundred poets write the historical events and reality; the new poets born after the new china write the poems full of the breath of a new era and modern color. In addition, "Chinese Poetry" has published the poems written in the style of old dry. These poems' themes reflect the New Period, whose arts show the officer gasification and slogan leading to the lack of the poetic images.The fourth chapter explores the communication mechanism of "Chinese Poetry", which spreads traditional poetry in four modes. The first mode is political operation strategy inviting some celebrity as editors, which enhances journal influence. The second mode is business strategy, holding kinds of poetry contest and offering all kinds of Chinese poetry seminar. The third mode is socialized operation strategy, taking pomes' teaching to school and the West. The fourth mode is literature operation strategy, creating the column to support young poets. In addition, the misunderstanding of "Chinese Poetry" has been analyzed in the dissemination of traditional poetry.The fifth chapter discusses that "The Critical Review" and "The Contemporary Poetry" imply a lot in operating "Chinese Poetry" from horizontal and vertical ways.The conclusion part discusses the fate of "Chinese Poetry". There is no doubt that the traditional poetry would be recovered in the New Period for the emergence of the folk conservative cultural thoughts and the great rise of state power. At the same time, "Chinese Poetry" will also usher new opportunity.