Research On Post-80’s Literature Treason Narrative And Transmission Route Of Treason

post-80’s literature named by author born, do culture research of group study, wedon’t only put it in the history of modern literature development,but also inspect it inthe culture globalization by a whole vision, so that our study will not fall into theliterature review bias, and we can review this still in progress, change, developmentgroup literature under the view of synchronic and diachronic perspective.In twenty-first Century Chinese is no longer strange on commodity economy andconsumer culture, coming with the foreign culture which has been graduallyintegrated into our lives, the city dressed up in the commodity and covered by unreallight, the progress of science and technology fasten the speed of the world, the rhythmof life expanses with the desire. Countries differ with mass expansion, the Internetreduces the distance between countries, globalization has already come. Chineseculture and literature are included. Seeing from the angle of globalization and Chinesecontemporary literature’s development process,80writers, as part of development inthe material and the spiritual space of the same era, create their own literary products,and this is the focus of our research in this paper.It is out of the same life experience,we study the literary narrative. From the narrative content, the inner contradictions inthe process of growing pain, anxiety and life ideal and reality collide of post-80’s,finally, it shows through their rebellious struggle process, so we define thepost-80’sliterature narrative content as a direction of treason.And through this directionwe enter their life in the face of the specific characterization of the rebellious treasontoward different things. In addition to the rebellious theme, the narrative research notonly through the use of the narrative techniques of parody and cross genre writingnarrative form, but also by the narrative mode of treason. In the literature production,literature production in market economy today, is to become the priority amongpriorities to measure the value of literature. With the development, growth andexpansion of economy and science and technology, multi media and market collusionliterature communication mechanism has diversified, post80’s literature dominated inthe market, using different media to sell their literature products which made the market absolute victory gesture.In this paper, we will analysis the era background of post80’s literature in thecommon development process of globalization and China contemporary literature. Inorder to find the impact and roots of history which influnces80literaturedevelopment. Through the study of cross style writing narrative form and route oftransmission and the use of the literature in the narrative mode of rebellious themesand narrative skills, we standardize the parody style subversion and assume to sumdup the overall state of80literature. And then investigate the status of "literaturedevelopment in history of contemporary literature in Chinese and meaning of existence,understanding the unique value of existence.The introduction part talks about80’s concept; reason; research status; researchsignificance and this thesis consists of three chapters, respectively study the historicalroots of the80’s generation literature from the cultural background: rebelliousnarrative mode of80literature; research route of transmission of80literature.The first chapter is on the era background of literature, again from the view of thecoming of globalization and the development of Chinese contemporary literature, andfrom the view of the culture development process of China and the world, tosummarizes the materialistic survival way of80’s: in the Journal of world economyintegration environment, the starting point of80literature,bred in the China cultureindustry is “new concept composition contest "and" sprout "vector; transformation ofmedia cultural production; economic development for the superstructure decision playa greatlydecisive role, and to explore the domestic policy of" only child "lonely; andthe80’s living space of spirit: theimpact of mass literature and art in the west,post-modernism and cultural spirit of the game, the change of consumption concept.Through the discussion on the material existence and spiritual living space, find thehistorical causes of80’s literature.In chapter Two, we mainly study rebellious narrative mode of80literature. Fromthe narrative content, since80’s generation witness the self growth, from the face oflife dissatisfaction to heart angry feelings, the inner contradictions in the process ofgrowing pain, anxiety and life ideal and reality collide, final it is to show through theirrebellious struggle, we therefore bound narrative content of80literature in a directionof treason.Therefore, we extract a "rebel" narrative content of the most common one in80 literature, starting from the theme of the rebel against parents; against the school modelof learning life; revolt nihility, cruel and traditional culture. Finally based on theunderstanding of real life of civilian, to complete the whole human fate identity andself life.Through the history of modern literature in carding Chinese rebelliousnarrative writing history, we can see the rebellious narrative related to different timeperiods, in the longitudinal comparison, more clear analysis of differences in80s andother rebellious subjects, and their unique rebellious spirit, through this method to findout their specific characterization of treason in different things. In addition to treasontheme, they choose a parody on the literary content and form of subversive narrative.Han Han and Sun Rui were elected in this paper, through a case analysis of theirlanguage parody and the traditional mode of martial arts novels, and better to discussabout80’s parody writing rebellious subversive narrative means.Like all literature, literature content performance of80’s is fhrough the literaryform,and launched in the content of the form, it carries the literature content toexpress the formation, a literary genre is thelong-term results creation practice.Inaddition to the traditional form of style, the writer rebellious thinking mode formed thesubversion and arrogation and standardize style-"the cross style", the cross stylewriting form is the main form of80writing, it overturned the traditional writing’sintegrity, closed and the type of pure deconstruction of the traditional style, internalhierarchy,and go through the provisions of the external boundary of art and life,ablation, documentary and fiction.Therefore we need to sort out the history of thedevelopment of style theory research, clarify the literary concept, level character studyfrom the concept of style to style,under the affect of era change, literature aestheticinternal changes in the external form of the "cross genre" reform, we should usd aspecial way of writing and other means to interpret a detailed traditional media of80literature content, to see generation thinking and life form the narrative form ofrebellion.This section analyzes the features of "post80" Literature "cross style": frombreaking the traditional style of the border style, such as novels, plays, poetry, proseand fusion in non literary factors such as film and television, the new network, mobilephone short message, photography, popular music, painting and to the Guo Jingmingcase--"Cross World Series" systematic study of cross style.The third chapter mainly aims at the post80literature dissemination way. This study allows us to "literature of the more abundant, the propagation process ofliterature. Marketing means can not be ignored in literary production, mainly to today’smarket, circulation and sales performance has become a measure of literary value scale.So the importance of research on the mode of transmission is axiomatic.Communication means of literature is through the media, while the media as theexchange and dissemination of information platform, it is long-standing, as long as toprovide information carrier for information,it can be called the media.It can be personor institutions or news media. It can be divided into traditional--print media, such asnewspapers, magazines, books, television to broadcast media; The second mediacomplete digestion of public discourse and private world of discourse, the willfulrelease, authority to be digested, deconstructed the traditional way of individualexistence, affecting the composition of social class, the diverse propagationmechanism formed post80literature production. In the joint operation of variousmedia, in addition to obtain huge market in the development of science andtechnology and brings other social development of80literature progress.This chapter,under media landscape, from the media dissemination mechanismproduction diversification and multimedia and market collusion, enumerates thedissemination way and analysis writers of80literature, Han Han and Guo Jingmingcase, to see the e spread of literature consumption process.Through the analysis of the three chapter, we can make a comprehensive surveyfrom the basic style of the narrative form and content to the transmission, and have aoverall understanding of80literature and literary production. And studying thehistory and culture of the roots of the literature.