To Generate Literary Concept In Mediaeval Times

The first chapter. With the relations between limpid-turbid and aesthetic interest, lyricmood, artistic style, and features aesthetic realm etc, it has proved the limpid transcend theturbid, perhaps earlier the limpid withdrawal the turbid, further caused that the formerobtain supreme artistic style. In this process, not only the emphasis of limpid-gorgeous ofconfucian, and the limpid-illusory of taoist, but also the limpid-emptiness of buddhism,these three has so. Cao Pi’s “Qi has its normative form of limpid-turbid”, Lu Ji’s “movingwith turbid gives renewed limpid”, Lu Yun’s “limpid namely delete some unnecessarymiscellaneous”, and in Zhong Rong’s grades of poetry, in order to clear advocate thelimpid and get to a common objective. Meanwhile, in poetry and form select vocabulary,describe scenery, implicate emotion, and construction of the artistic, these has strengthenedthe trend of aesthetic identity of limpid in mediaeval times.The second chapter, about “metaphor-indication”. The meaning of metaphor has fromthe explanatory system of the thirteen confucian canons. In Liu Xie’s The Literary Mindand Carving of Dragons, these have dozens of proposition from different angles, andexplain one by one, common proved that metaphor as subtle principle of artistic expression.Indication is the turning point of aesthetic fashion of poetry in southern dynasties, with thesubjective seek to “sentence indication”,“image indication”,“indication of artisticconception”, has formed the new poetry which different from poetry in hand and weidynasties. In southern dynasties, the poetry has get through “metaphor-indication”, inharmony disposed relations between the emotional implication and image indication, withthe effort in early tang dynasty, until the transformation of tang style, which marked by theingeniously and delicately image, and the euphemistic implication, follow by stereotype ofaesthetic consensus at every step.The third chapter. In the influence of idea of nature, it has evident change literaturestyle among western jin and eastern jin dynasties. In han dynasty, the nature has one part oftelepathy between heaven and man, however, it has change to the theory of nature inmetaphysics of wei and jin dynasties, namely because it come from universal order, andhave features of isomorphism which between nature and man and literature and art. Withthe guidance of that consciousness, there have the metaphysics poetry and landscape poetry.Especially, scholars consider that landscape poetry equate to the dependence of real society,the idea of “realistic imitation” became the stationary expression pattern of landscape poetry and picture. At the same time, nature deemed as creation spirit, not only the view ofliterature, but also the theory of literature, that reflected in the development process ofliterature in mediaeval times.