Artistic Presentations And Easthetic Thaughls In Post-Modern Paintings

Break though anti-aestheticism in post-modern painting is a form of painting, which gradually formed during the industrial society period. Anti-aestheticism in post-modern painting is recognized the judgment among people. However, if we go beyond the commonsense way of judgment, we feel it necessary to break though anti-aestheticism from the introspection of post-modern painting itself, after positioning in the sense of social and historical development modern painting’s significance and value.Therefore, direct recognition of post-modern paintings’ general characteristics is not enough, presenting characteristics and nature of modern painting techniques, presenting humanities and value implication and Aesthetic logic of thinking, after theory of modern painting reproduction, but after the way to grasp the true modern painting.Firstly, the use of material, technique, color and artistic conception in post-modern painting has significant difference compare to traditional and modern painting. In the creation and criticism of post-modern painting, direct implicate reasons for adhering to the traditional and modern aesthetic thinking against post-modern painting. But at the same time, we should also see the rejection of "give" in its power of art and in its art creation and Aesthetic exhibited. Postmodern painting is no longer a given performance or presentation, but art was characterized by exist "beauty". Post-modern painting, which Rejects modern painting aesthetic thought and aesthetic principles, it is nature to be labeled with anti-aestheticism. But we should also be aware the anti- aestheticism in postmodern paintings has a double meaning: On the one hand, the post-modern painting set against the idea of reproduce of victual product but to pursuit the freedom of the construction works; On the other hand, post-modern abstract painting, collage, copying and “Fragmentation”of the way to build a unique abstract force, to look forward to in the creation of a real break with the aesthetic “fragmentation” and “whole”and their binary opposition.Postmodern painting in a free way to create objects and works into being. Postmodern painting use "smear the edge" and "direct copy" to oppose the concept of binary oppositions of traditional and modern art in order to free the body and beauty to eliminate the opposition. Opposition means first differences is eliminated, elimination in opposition means difference is the nature of freedom in artistic creation. In the post-modern aestheticism, there is no longer difference between Creator and experience, the Aesthetic freedom is directly given to the author and audience and the work. Furthermore, post-modern paintings directly present Contradictions and objections, and use a sense of aesthetic difference as a proper meaning. All these are impossible in traditional and modern painting, now is revival gained freedom and vitality. So, after the breakthrough antiaesthetic thoughts of modern painting, we must face up to the post-modern paintings "clumsy" way of cherishing the freedom; in rebel emphasizes the differences; in the way grassroots opposition elites pursue.Thirdly, post-modern painting understands the art of self-identity again as the digestion of the opposition and acquirement the freedom. Post-modern painting is no longer following the “Art for art”, the attitude of the modern art, but becoming “non-art” in the process of “decreasing” the artistic identity. In particularly, post-modern painting emphasises on the integration between art and life. With the blurring boundaries between life and art, life and art blend truly completely and the completion of deep understanding from post-modern painting for life. Of course, after that, the post-modern painting in the aesthetic "abstract" appears. Therefore, the reflection trend of post-modern painting improves aesthetic requirements for the creative subject, works and arts and aesthetic subject. The inherent aesthetic requirements of post-modern painting are no longer the aesthetic subject and object of opposition, but it is the unity of creating subject and the aesthetic subject in life. Breakthroughing anti-aesthetic ideological trend of post-modern painting acquires us to stand in the presence of a real relationship between art and life to look at the creative arts and creative style of painting techniques, which the post-modern painting created by means of “life”.Finally, post-modern painting is no longer a traditional or modern painting art. Its anti-aesthetic ideological trend makes the nature of post-modern painting extremely obvious. However, because of this, we can say that the post-modern painting transcend from the form of intuition, in the face of the core of aesthetic: the transaction from traditional and modern painting to post-modern painting for freedom of drawing is the transaction of aesthetic concept from focusing on the formal beauty, the sensuous beauty, the visual beauty to focusing on the spiritual beauty, the life beauty. Post-modern painting came out from afford, and allowed the opposition in the art and works to exist. And also it was in “non-art” approach, which reconstructs aesthetic of life.Therefore, breakthroughing the aesthetic ideological trend post-modern painting is actually reflecting the metaphysical barriers made by traditional and modern aesthetic thinking which post-modern painting against. Ostensibly, post-modern painting is fragmented, abstract and so on, which most of people was difficult to accept. But in the matter of fact, this allows creators and aesthetic experience to truly enter into the aesthetic in such a unique way. Thus, both of the creators and experience of those who are free, and therefore this is the art. The post-modern painting is changing the attitude of the nature of beauty during destroying the negative thinking, which allows paintings are facing the secular. Thus this is forming a post-modern painting in the visual and concrete but surpassing the principles of the visual and concrete. Addicted into the daily life is to characterize the aesthetic freedom of spiritual life and identity to the life. Although post-modern painting is “anti-aesthetic” to some degree, the aesthetic thinking that post-modern painting forms is as self-prescriptive of the painting, and the same time, defending the meaning of existence which cannot be ignored in the painting process. This is also the basic conclusion after breakthroughing of anti-aesthetic ideological trend of post-modern painting.