The Image Of "Chinese Cultural Revolution" And Collective Memory:Research On The Narrative Of The Film About "Chinese Cultural Revolution" In The New Period

Based on the new period of the Cultural Revolution theme movie as the research object, based on the interpretation of more than 90 of the text,to "construct" film how to participate in the collective memory as the breakthrough point, combined with the characteristics of different stages of creation and creative community, forming, to explore the cultural revolution and the Cultural Revolution memory image interaction likecultural revolution and social thought, study ideology and the influence of contemporary consumer culture of the cultural revolution and constraintson image. Try to integrate cultural science, sociology, history of political thought, viewpoint and method, the creation rule and the characters ofimage culture revolution made induction. And to the human disaster narrative abroad for reference, pointing out that the Cultural Revolutiondescribe the image limits, may expand the space.The paper divided into two chapter,consists of five parts.The first chapter is the history of the monograph.The sacond chapter is special discussion.The introduction part mainly discusses the use of "the image of Chinese Cultural Revolution "and" collective memory "two core concepts, and itsenlightening significance for thesis writing. Introduce the research status and value of this paper, research topics of.In he first chapter,I analyzes the Cultural Revolution images between 1977-1989 years, think this stage is basically in ideology under the baton tomake, is to "bring order out of chaos" political space "looking ahead in unity" propositions such as image interpretation, to trust crisis throughafter the revolution, reconstruction of socialism faith as the theme. Thisstage of the creation is divided into three sections, "discussion of the criterion of truth" as a model of narrative stage before, "three prominent" creative principle is constantly active, still thick with traces of Cultural Revolution film, shape of the "Cultural Revolution memory" is a single point, just express to the senior spiritual insight and echo. 1979-1984 is the outbreak period, video and more to good and Evil Dead villain for the tragedy of the cultural revolution of the basic modes of interpretation, thatlaunched the cultural deep structure and the scapegoat mechanism behind the story, determine its direction, and make an analysis about the model of "the masses" discourse, and points out that the "banality of evil".1985-1990 perceptual life performance began to get attention, image cultural revolution as against political alienation, to home against the dramatic, the images in the realistic and suggestibility.This chapter also to Xie Jin made a special analysts, pointed out that he isas involved in the "order reconstruction", but Xie Jin is unique in that:moral judgement and historical evaluation synthetic value order of one;ideological discipline, folk culture taste, intellectual feelings combinedaesthetic order of one; from the revolutionary passion towardneutralization and portrait mirror word order. In third, the number ofstages of the creation of larger four generation filmmakers think by comparison:the third generation of features is the witness perspective and cautious endorsement position; the fourth generation is characterized with "gentle criticism and poetic lookback Republic under complex".In the second chapter, I seize the market after the transfer of the core values of society to analyze the image from the perspective of culturalconsumption in the cultural revolution, the process to individual speechseparation, discipline of prudent expression, desire expansion’s humanisticanxiety to sum up ninety years after the Cultural Revolution memorygradually differentiation. And grasp the characteristics of the fifth generation from the spectator perspective and hardship consciousness,cultural reflection and the epic pursuit of several levels; while the sixthgeneration of director of the Cultural Revolution memory by fragmentation,emotional, personal characteristics, betting their own growth experienceanxiety and alive. The cultural revolution about the body image and the scenery of the narrative, but also in different stage of gradually embodies the tendency and consumerism ideology, cultural symbol.In the third chapter,I summarizes the Cultural Revolution symbol image in the cultural revolution, put it back in the history of the site, to explore itscultural and ideological history significance, so as to reveal the Cultural Revolution autocratic intervention on daily life. Based on the comparison of Chinese and foreign disaster of humanity and cultural disaster-narrative, pointed out the shortage of the Cultural Revolution imagesappear in the functional orientation, value orientation, image, artistic conception. Too rigidly adhere to the realism creation means, in the concept of "reappearance" was bound hand and foot, imagine the rejection to the film performance, the lens language is not rich, the lensconnotation not resistant to ponder. Even the hint of a symbol, the traditional means of can skilled use.In the fourth chapter,I creative types, the audience image cultural revolution criticism presents four basic attitudes and opinion of theconstruction of Cultural Revolution were analyzed, and put forward a lot of possibilities image of the cultural revolution. The starting point of the cultural revolution and points out that the image should be found andindividual rights, should reflect the common human values. As a "publicmemorial" Cultural Revolution style, image has two basic orientation of literary creation, is a witness; another is to the dystopian fable spicysatire, expose.At last, I put forward the real value of human life, human life exists on thecriticism of. That the Cultural Revolution when the image to witnessattitude, adhere to the truth of history, adhere to the reduction ofsuffering; promote the emergence of new citizen morality and civil political consciousness; strengthen the reflection mechanism of evil, to the political and cultural rebirth. With the passing of the cultural revolution of the direct participants of disaster, the offspring will be more and more the need forreflection from the political system, social value and political and culturallevel, and the image to wake up the power of the people, will appear in the continuous production, dissemination, research process.