Research On The Phenomenon Of Imitating In The Painting

Art as a reflection of social ideology grasps the world with its unique way, whilepainting as a category of the art has the property of spiritual production activities.Painting is not a simple question, which is often in a dilemma. Resistance andprogress coexist. Somehow the significance of painting means conquering difficulties.Thinking often brings difficulty, and progress is made. In the process, we cannotcocoon ourselves, but to break the cocoon into a butterfly. During the period, a choicemust be made, which is a prerequisite, and that is the situation and its development isclear. The amount of information conveyed by paintings is often less than the amountof its carrying.The amount of information of painting can be divided into two aspects,one is external information, namely the work shows empathy or synesthesia; the otheris internal factors, namely which constitutes the relationship between the elements ofpainting and the source. Analysis and grasp of the painting phenomenon helps us tolocate paintings and painters clearly and accurately on the basis, it is essential forpractitioners to form artistic virtuosity and to establish artistic positions.In this study, the phenomenon of imitating is explored, which is limited to thefield of painting. We know that any phenomenon is re-examined and positioned fromdifferent perspectives, which often causes controversy, it is the inclusive andconfrontational game that develops the theory and practice of painting. It is extremelywidespread that other painting, language and themes are borrowed when we arepainting. Simulation, migration and transformation are the main factors to form thephenomenon of imitating. The ultimate goal of painting should be implemented by thecreation. Therefore, it is very important and necessary to study the phenomenon ofpainting from the creation as a baseline.In the study the phenomenon of imitating in painting is analyzed layer by layer toremove the mask, and to define the scope and boundary between the properties of thephenomenon, which is divided into non-creative state, quasi-creative state, sub-stateand the creation state creation. They are reflected learned and absorbed in theinterleave between autonomy and heteronomy in the development of painting. Finally,we discuss the relationship between the phenomenon of imitating in painting, thenature of art and creativity. The study shows that the self-creation of the artist isimportant in the painting, which arouses to reconstruct the spirit of creation, so as tosolve practical problems in the creation and to achieve the maximization of the artist’s own confirmation. Because thought is the soul of painting, and human spirit isreflected by drawing, it is eternal to gives painting the life with the way of thinking.