Huayan Flower And-bird Painting

This article mainly focuses on the language analysis of painting artwhich takes Hua Yan’s bird and flower paintings as object, and exploresits artistic features and the present significance of bird and flower paintingcreation. Hua Yan, as an important bird and flower painter in theYangzhou school, has a prominent representative. He integrated paintingaesthetics of traditional literate painting and popular style of folk art intothe personality pursuit, and formed their own peculiar small freehandstyle: ink flexiblity, colorfulness, breathtaking painting. It analyzes HuaYan’s inheritance and development of Yun Shouping’s flower and birdpaintings, reflecting his exploration process of borrowing classic; It isclear to understand Hua Yan’s art outlook of carry-forward and sublationbased on the comparison with bird and flower painting of the Yuan andMing dynasty, and Hua Yan’s personality pursuit in flower and birdpaintings based on the comparison with other painters from Yangzhouschool. It is also clear to understand his influence on Shanghai schooland future development of bird and flower painting art by analyzing hispaintings.