Chinese Minority Chinese Creation With Chinese American English Comparative Study (1978-2010),

There are many masters both in the field of Chinese minorities’ literatures written by Mandarin and American-Chinese literatures written by English in the period of 1978 to 2010. Although they aroused in the different history background namely Western and Oriental separately, they happen in the same era, have the same base such as their multicultural diversity background and multiple cultural domains. They wrote about the unique indigenous human and beauty, described the profound changes about ethnic identity and humanity in such a transformed era. Meanwhile, it is well-known as the reflection about the universal values and revolution of the literature style.This paper base on the discipline of Comparative and World literature theory, strives to find the difference and similarity between Chinese minorities’ literatures written by Mandarin and American-Chinese literatures written by English through regular phenomenon and works. With the theory of Cultural identity, this paper discusses the solution about how to combine Minority history and culture in the diverse reality, how to face the future etc. To focus on the analysis of the ethnic relationship of Chinese minority and American-Chinese in the multi-ethnic communities, different cultural identity and nationality, self-identities and identity plot, to consider by which kinds of attitude to think about identity, how to grasp the ethnic culture comprehensively. For another, this paper analyze the classics of the Chinese minorities’ literatures written by Mandarin and American-Chinese literatures written by English, to find the multiple possibility of interpreting the text. This paper introduce the relevant researches related to the Chinese minorities’literatures written by Mandarin and American-Chinese literatures written by English, which are divided by four parts, namely research about American-Chinese literature in China, research about Chinese minority writers in China, research of American scholars about contemporary Chinese minority writers, and research about American-Chinese literature in America. Furthermore, This paper introduce the main works and represent writers of the Chinese minorities’ literatures written by Mandarin and American-Chinese literatures written by English briefly, as well as its status in literature history. To compare the contents of the literary works, the background and the controversy about the works, the ethnic background of Chinese minority writers and American-Chinese writers, the spontaneity about ethnic writing. It is stressed that the sense of ethnic writing, writers’psychology, historical memory reflection, culture misunderstanding, self expression, and the experience of cultural change are discussed in the works.This paper analyzes the clinging of religion and secular ideals, the interpretation of universal values and ideal personality, social morality definition and gender cognition issues in the Chinese minorities’ literatures written by Mandarin and American-Chinese literatures written by English. To interpret the creative purpose of the Chinese minorities’ literatures written by Mandarin and American-Chinese literatures written by English, which is beyond the geographical, cultural and ethnic threshold, deeply reflect the vanishing of truth, kindness and beauty of humanity in the changing life and cultural under the impact of cultural diversity. This paper analyze the marginal personal characters in the Chinese minorities’ literatures written by Mandarin and American-Chinese literatures written by English, those marginal personal figures including the unyielding men and the Chinese laborers, sojourner, the social vulnerable groups, women tragedy figures etc. It is clear that the life attitude, the minority identity and the social background are appreciated in this paper.This paper also diagnose the strategy of cultural reproduction in Chinese minorities’ literatures written by Mandarin and American-Chinese literatures written by English, including cultural symbolic, cultural carrier and the traditional culture sign etc. To discuss the literary phenomena of creative rewriting, as well as the cultural meaning of the creative rewriting, the writing by second mother tongue, the stereotype and cultural intolerance etc. To consider the unique feature which express in the literature by non-Chinese or non-English author.In final, this paper compares the literary style, the genre of literature and the narrative strategy, which is manifested as the mythology. To process themes in fairy tales and fables, multidimensional narrative perception and polyphony structure, comic and satire narrative way, to show the multiple means of reading and the possibility of research. To compare the art characteristics, especially the magical realist and surrealism, symbols, metaphors and poetic language, to explore the convergence of national identity and art style, and the common place of literature concept.Meanwhile, this paper compare the genre of literature in Chinese minorities’literatures written by Mandarin and American-Chinese literatures written by English, including the type of genre, the definition of genre, the discussion about genre-crossing. To stress that those Chinese minority writers and American-Chinese writers living inside the two cultures, having the acuter vision, which is better in expressing the contradiction and submergence between two cultures, to fig out the unity of their own culture, faulty and advantage.This paper concludes the specialty of Chinese minorities’literatures written by Mandarin and American-Chinese literatures written by English. Both of them are unity between nationalities and cosmopolitan. To point out that Chinese minorities’literatures written by Mandarin and American-Chinese literatures written by English have profound understandings of their national aesthetics characteristics and cultural essence, crossing the limit of national and era, have permanent literary value.