On The Cultural Explanation Of The De'ang Nationality's Art

In the historical course of the De'ang nationality people in the Lujiang Flatland, the specially geographic climate of Gaoligong mountain area provides the various rattan and bamboo resources; the severe living environment of mountain peak strengthens the dependence of the De'ang nationality people in the Lujiang Flatland on the rattan and bamboo knotting; the frequent pestilence and disease and the lack of medical drugs had rendered the sustained increase of the De'ang nationality people in the Lujiang Flatland to be faced with the tremendous challenge. These factors of ecological environments and historical subsistence resolve that the waist hoop of rattan and bamboo must enter into the national memory of the De'ang nationality people in the Lujiang Flatland and must become into the cultural prototypes and image sign as their core culture's factor.Because the De'ang nationality people commonly live in the Dai nationality's cultural circle with the Dai nationality people, the Dai nationality's culture in the leading position must affect the culture and art of De'ang nationality people by means of superior potential energy in the politics and economy so that the culture and art of De'ang nationality people are bound to be brand with the marks of Dai nationality's culture and art. The national dance of De'ang nationality is the pithy of De'ang nationality's culture and art and the classical art to set up the national image and to promote the national culture tradition.The national misery is the main content that the De'ang nationality's folk song appears. The national sentiment is the cantus mood that the De'ang nationality's folk song appears. The lowering and distress is the art style that the De'ang nationality's folk song appears.The wedding of De'ang nationality people is the cultural inheriting mechanism that the folk song can perpetually develop.The cultural inheriting mechanism of De'ang nationality's folk song has three aspects, namely, the pressure, demonstrating and blending.It must firstly protect the folk custom mechanism of inheriting the De'ang nationality's folk song to inherit and protect the De'ang nationality's folk song and then strengthen the cultural construction that the folk song fits in with the modernized development, constantly construct fine atmosphere of folk song's sing in order to propel the folk song's culture inheriting and creative development.The cultural ecology is the objective condition of human subsistence and development. In the cultural ecologic system of De'ang nationality art, the De'ang nationality culture is the emic ecology and the Dai nationality culture is the etic ecology, the lateral nationalities' interaction between the emic and etic is the dominant culture factor that the De'ang nationality art develops and changes. The most prominent feature of nationalities'interaction between the De'ang nationality and Dai nationality is the contact inseparability and influence unidirectional between the nationalities.Though the De'ang nationality culture is constantly faced with the danger that it is assimilated by the Dai nationality culture, the De'ang nationality culture is also a very good vitality culture. The self-confirmation mechanism of weak culture makes makes the De'ang nationality culture realizing the cultural holding in the nationalities' interaction. The De'ang nationality art pays attention to highlight the waist hoop of rattan and bamboo of De'ang nationality woman in order to structure the nationality's especially visual image from the level of material culture. The De'ang nationality art brings the function that the De'ang nationality man dances the Shuigu Dance into full play from the level of behavioral culture to release the nationality's mental pressure and to optimize the bisexual love in order to constantly promote the total nationality's quality in body and mind. The De'ang nationality art strengthens the culture inheriting of De'ang nationality's folk song and sticks to the nationality's mind homeland from the level of idea culture in order to construct the nationality's powerful cohesion by the perpetual culture ecology.The cultural ecology decides the national art subsistence.We should set up the whole protection concept and structure the systematic setup of cultural protection for protecting the national art. We should seize the national art as the heart, enhance the cultural ecology reconstruction and protection dynamics, and heighten the image portraying consciousness to advance the national culture reconstruction and to make the sparse population nationality like the De'ang nationality walking the subsistence road by the art to accord with the ecologic law of national culture.