The Critical Theoretical Study Of Ancient Chinese Painting Evaluation

The core Of theory is a genius in WeiJin critical painting.Genius theory plays an important role in the theory of ancient Chinese painting evolution,A talented artist is often the best person.The ancients often comment by the temperament and genius on people.The higher his genius, the higher his talent and intelligence, his position is always the highest.YaoZui had inherited ideological that XieHe ideas.YaoZui did not comment on people with grade, He thought of the genius of more than XieHe.But he stressed that the genius in the role of works of art,and he used a large number of examples to illustrate the difference between genius and mediocrity.They had integrated with each other in the theory of talent and the critical style of art . ShenMiaoNeng and YiGe and Nature are the different manifestations of genius, and it reflects the different artistic styles too. It have simple and nature ,and fresh ,and freedom in YIGe . They are the writer's aesthetic taste which it is made up a complete style system.The first aesthetic thinking of ZhangYanYuan was Confucianism. Nature wasnot complication but simple,and not delicate but density, and not the simple but brillante too. complication and simple was mind of Zhangyanyuan,nature was his essentiality,Qiyun was his ultimate goal. As result,critical theory of natural was the product of a highly developed art of the late Tang.It is the opposite of the category that LI and YI , and Xiehe was the first people who have this idea in the development of the critical theory of ancient paintings.Xiehe'thinking was affected by the fashionable social thingking at that time.Metaphysics is based on Confucianism , Confucianism and Taoism thinking were together. Contradictions and conflicts of LI and YI which the reason for that the different of Song Literature painters and Official artist criticized the standards.It is critical period of painting style in MingQing dynasty.The criticized the book had gradually reduced in the Song Dynasty, the emergence of a large number of critical works in ming Dynasty ,but the style of criticized was very different.Although traditional critical theory was used which it had no intention to distinguish between pros and cons,it would prefer the analysis of the brushwork and style,finally ,with developing the emergence of Twenty-Fourth HuaPin had breakthrough study of Style in qing Dynasty...