The Modern Construction Of Chinese Calligraphy

Culture is the result of humanitarian deposit with its specific aesthetic core and endless vigor. The traditional ideology and artistic atmosphere in Chinese culture lead calligraphy to be an important symbol of traditional Chinese art. The root power of calligraphy lies in the development of traditional ethics and Chinese-character culture. Now, confronted with the new mission of cultural development and the new requirement of cultural modernization, the modern construction of Chinese calligraphy has been put to the forefront of the age, attempting to find the objective principle of calligraphic art development by summarizing modern calligraphic phenomena.The main parts of the modern construction of Chinese calligraphy contain the modern transformation of calligraphic tradition, modern creation of calligraphic art and modern communication of calligraphic art. The modern transformation of calligraphic tradition is based on the fact that calligraphic art contains Chinese thinking method, artistic spirit and cultural identification; therefore, the argumentation is in the five aspects of culture, function, idea and development to pursue the fundamental reason for the transformation. The modern creation of calligraphic art is discussed from the four perspectives of its goal, background, model and innovation and states that the innovation of calligraphy is its endless vigor. The modern communication of calligraphy is analyzed in its traditional and modern communicating systems to find the principle of calligraphic art communication. The three sections form an organic whole without clear boundaries among each other. The division of the proposition is relative and it is from the need of research; they form an integrated union of"calligraphic modern construction". It is the basis of new calligraphic innovation, and it is the basis and foundation of our research, analysis, criticism, decision, development and change. The modern creation of calligraphic art will be more mature, more innovative and more vigorous with the development of the age, with an even purer contemporary calligraphic spirit than ever before to represent the contemporary Chinese art spirit!As Nietzsche said, everything is explanatory and the thing itself does not exist; what really happens is that a group of phenomena is organized and related by something good at explaining. By holding a perspective, we are integrating and systemizing the past events to provide certain possibilities of explanation and speculation of the unknown. Maybe in this sense, it is of significance and we hope that it is a good beginning.