Ci In The Middle And Late Ming Dynasty Inheritance And Change

This article committed to study the Ci of the style of the middle and late Ming dynasty. The CI of the middle and late Ming Dynasty is regarded as a link between the precedingand the following in the development of traditional Ci the Ming Dynasty.On one hand,it witnessed the remaining influence of Ci in the late Yuan Dynasty and the early of Ming Dynasty,and on the other hand,it saw the prosperity of Ci in the late Ming Dynasty and the early Qing Dynasty.In this article, in the middle and late Ming period as the starting point, using the combination of macro and micro research methods to discuss various aspects related to the word creation, including the word culture in the middle and late Ming, Ming term development in the cultural process, subject matter orientation and aesthetic concept, function and mode of transmission of Ci, the body of the middle and late Ming Ci five parts. Divided into five chapters:The first chapter :The middle and late Ming term cultural background. This chapter from the middle and late Ming culture to explore the ci of the culture of personality, values, lifestyle changes, it is this change resulted the middle and late Ming ci has a different meaning, and reflect the Esthetics of human nature, concerned about the individual value cultural connotations.The second chapter: The word development in the middle and late Ming culture process. This chapter from the vertical comb in the middle and late Ming term development of the relationship between evolution and cultural change. According to the different cultural characteristics of each period will be divided into four stages: 1. Chenghua, Hongzhi ci beginning Xing beginning of the ci, time is a fully integrated first year (1465) to Hongzhi (1505). With the worsening political environment and mentality of scholars from the Wing-lok, Ren Xuan occasion of peace and joy to fatigue, disappointment, desire to minister to the quiet life, the pursuit of self agreeable to describe beyond the early peaceful grace of Cabinet body. Jiangnan ci home debut, seclusion and well-being of the temperament individuality physical body gradually dispersed, Dayou body's dry flavor. As a professional cis in Ming hand, Mahong indicates the emergence of a conscious creative ci. 2. Masanori to Jiajing period, the revival of the Ming ci is out.cis of giving birth at home masterpieces layer is, chasing copy predecessors, a variety of styles, the ci appeared in the pedagogic use, said the main feeling of cultural identity are intertwined. This period has both summer and made to show to Beijing officials represented groups to pursue a copy of Su Shi, Song Ci ji and other family to each other remuneration in the form of singing off the cis Reciprocal Creation of high tide. Chen Duo's "Cottage I intended to" represent the period of "Cottage Poetry I" of the ci wind. Masanori period in power and Jia Jing Liu Jin period "proposed gift" case, resulting in the demise of scholars and cynical political ideals desolate state of mind. By Ting Chen, Yang Shen and others for cis on behalf of Exile at home, ci was dead rough casting experience, highlights the temperament and talent. By Wen Zhengming, Evaluation on the Tang Yin Wu, represented by the ci home, showing the mid-Ming Ci Daya, Vulgar, individuality and refinement mingled cultural identity. Zhang Yan Morohito flap creation of the Northern Song poet, also appears to Yuen elegant features. 3. Longqing Cis decay Wanli period. This period was also regarded as the ci of the recession period. However, this period has its own characteristics. The rise of the ci spectrum to provide for the creation of a convenient ci. "Flowers" is still the ci in vogue reflects the situation of the times. Wang Shizhen and others show that the middle and late Ming style folk literature in folk characteristics. Gao Lian, Zhou Lvjing, Xiashu Fang, Chen Jiru, Shi Shao Xin Hermit cis such as family creation, shows the ci leisure of the middle and late Ming, sketch-based features. The emergence of women's cis and prosperous family is also thinking of the liberation of the performance of the Ming Dynasty. 4. Revelation, Yasumasa, Chongzhen Cis revival. Ming ci Bandha, it is clear the beginning of the ci, showing "old trees with new flowers," the revival of the situation. Poet of this period have more complex cultural character. On the one hand, the middle and late Ming Song Wine tiles leisurely way of life since the music is still present in their ci. On the other hand, the late Ming affairs peril, the tragedy of rich color, the dismal end for feelings, to write the history of the grand narrative realism, the Ci to bring a special aesthetic value, but also open the Ci situation. Women's cis also show a new family features.The third chapter: The middle and late Ming Themes and aesthetic terms.. in the middle and late Ming theme is the cultural personality, lifestyle, aesthetic concepts, closely related. This chapter selected chanting, landscape, erotic, Chanting, these four distinctive themes, discourse in the late Ming term personal, emotional, secular, and personalized features.The Chapter IV: The middle and late Ming Ci role function and mode of transmission. This chapter from the late Ming ci spread of the role and function of its features antique-style paper. The most important ci in the late Ming is the communicative function, appreciation, rating function, non-fiction feature arts, along with changes in these functions, ci mode of transmission also changed. The ci in terms of body function, on the one hand, bearing the cis of these features, stylized, vulgar features, and the client's artistic status, play down the cis of literary style, affect the normal development of the ci. On the other hand, these features reflects a ci in the middle and late Ming and cultural life, the cultural significance of everyday communication. On the mode of transmission is concerned, on the one hand, new communication channels to accept expanded the scope of the ci; the other hand, non-traditional means of communication which in turn affects the characteristics of the ci.The Chapter V :The middle and late Ming Ci. This chapter contains the cis of the Ci system and style of the two aspects: First, the term physical or institutional, that is, constitute the structural elements of the ci form and ci form of artistic expression. Ming is also a ci in the evolution of body. On the one hand, the ci embodies the term late Ming "by the music and the text" to the desk of the process. The appearance of the text spectrum only read cis into a simple text. On the other hand, the body of cis and music features closely related to the decline also means that the original music and music-related changes in the nature of Ci. This change is also a ci with the other styles of mutual infiltration and interaction results. With music, poetry, prose, fiction many literary style of interaction, to bring the heterogeneous elements of Ci. This heterogeneity factor has two sides: the negative in that it destroyed the beauty of the original features of Ci, and even the characteristics of style, a certain degree of ambiguity caused by the Ci. Undermine its positive role is also a reconstruction of Ci expanded capacity and aesthetics. Second, the ci style characteristics. Back to the Ancients in the middle and late Ming period the trend has affected the outlook of the ci in the middle and late Ming. In the cis of the late Ming's retro trend, in fact, reflect the style of late Ming Dynasty to the understanding of the ci, the ci is still a good wind, but also implies the concept of cultural identity.