A Study On Movie And TV Adaption And Communication Of "Red Classics"

Recent years,movie and TV adaptions of Red Classics is one of the mostimportant culture event beyond doubt,and at most degree,its upsurge result in themultivariant utterance significance influencing each other during Chinese societytransform.This paper chose movie and TV adaptions of Red Classics as object of thestudy,and on basis of viewing and rethinking it profoundly,proposed the expectationand the goal of it.The first chapter discussed understanding and practice,significance and value,movie and TV words hegemony of adaptions from novel works to film andtelevision works,and so on.The second chapter carded and analyzed manyproblems,such as naming dispute,dignity acception anxiety,masses belief crisis,andthe numerous sounds and clamoring in multiple linguistic environment,ect.The thirdchapter focused on discussing and analysing the cause of the upsurge of movie andTV adaptions of Red Classics:by the name of revolution at post-revolution time;initiating a nostalgic mood;seeking for the validity for the incumbent party;compromising from elite culture to popular culture;conspiring between the ideologyand the market mechanism;and so on.The fourth chapter analyzed sorts of strategies choice of movie and TV adaptionsof Red Classics from the perspectives of investors,productors,and especially authors:market strategies utilization;the target audience demands;carefully examining thecultural strategies;manifesting the technical strategies;and so on.The fifth chapteranalyzed narrative techniques of movie and TV adaptions of Red Classics in detail,including narrative dimension,the story capacity,the plot design,the characterization,aswell as detail portray,ect.The sixth chapter carefully examined ways and means ofmovie and TV adaptions of Red Classics.This article believed that construction typeof adaptions strengthened the ideology dissemination effect of the original works,deconstructive type of adaptions caused many disputes because of deviating from or subverting to the original works,restructuring type of adaptions fully deepenedinnovative significance of adaptions.The seventh chapter combed and dissected mainproblems arousing disputes,such as anti-reviewing on the history limitation oforiginal works,exploring the emotional confusions,alternative interpretation of thephenomenon of Irrigation and Dilution,the evolution of the heroic image andcomplex in consumer society,misreading and changing face of humanized negativeroles in contemporary society,the post-modem Joking under the influence of newhistory concept,the vulgarization tendency in entertainment and consumerismtrend,ect.The eighth chapter luther analyzed the value and significance of adaptions ofRed Classics movie and TV.The author thought that the current Red Classicsadaptions was advantageous of history remodeling in the mass media era,activatedand strengthened the historical memory of contemporary people,constructed Chineseunique film and television narrative type,explored and innovated the film andtelevision type.The final chapter discussed various enlightenment of Red Classicsadaptions to the current film and television creation:Red Classics adaptations mustdraw on the achievements of academic researches;should follow the artistic creationprinciples;need to respect the connotation of the spirits of the original;and it isnecessary to comply with the properties of television media;attention should be paidto the audience cognition orientation and psychological anticipation of Red Classicsadaptions;need to enhance the audience's aesthetic demands;highlight awareness ofthe humanistic spirits;manifest new spirits of the new era;and so on.