The Researching Of Zha Fuxi's Qin Theory

Qin,also called Guqin,a chinese ancient musical instrument,is thesymbol of chinese tradition and culture.During the process of it'sdevelopment,Qin is closely linked to the fate and aspiration ofshi(scholars or intellects) in ancient chinese society.As an important classof ancient chinese hierarchy,the shi had tremendous influence on the artsof Qin with their role and responsibility in the traditional society.Theircultural mission and national responsibility made them to worry beforethe common people worries,to enjoy only after the people can enjoy.Besides the musical arts aspect,all of these add up cultural,social andnational meanings to the Qin arts.Therefore,Qin is not only the methodof self-cultivation for the shi,also the important way for them to join intothe society and improve the traditional culture.Qin has experiencedamount of changes with the vicissitude of shi social status in chinesehistory,and been changing in the demand of culture and society'sdevelopment.This thesis is on Mr.Zha Fuxi,a mater of Qin and a social activist,hadcontributed lots for the Chinese musical instruments.This thesis consistsof preface,conclusion and five chapters.The preface includes three mainparts:firstly,the Qin ideology of Zha Fuxi;secondly,the researchmethods of this paper;thirdly,research actuality. Chapter one is on the Qin ideology and academic practice of Zha Fuxi.Inthis chapter,there are three aspects:explanation of the Qin studying andrelevant conceptions;the chinese courtesy in the music style of Qinstudying;the Qin ideology and academic practice of Zha Fuxi.Chaptertwo is on the achievement of Zha Fuxi at Qinge,a kind of Chineseancient singing style.Qinge is one of the musical formation on which ZhaFuxi had studied for his whole life.Inhering the tradition Qinge ofJiangpai,one of Qin's schools,he has restudied the relationship betweenQinge and pure performing of Qin,hereby formed his unique perspectiveabout Qinge.In chapter three,studying and sorting the Zha Fuxi'scontribution to researching and studying of Qin.It includes five parts:specialized researching on chinese traditional and western musical mode;the dialectical studying the Qin tonality in traditional masterpieces andmusical score;Qin music composition;Researching on Qin books andmusical score;Prospect of establishing new Qin esthetics.Chapter four isthe contribution of Zha Fuxi in saving and sorting Qin's documentary andheritage.His studying is a breakthrough,has crucial significance for theresearching of the documentary on Qin's history,system,theory,singingand composition.His studying built a solid material and ideologicalfoundation for modern Qin theory.Chapter five is sorting the activitiesZha Fuxi done for rejuvenation of Qin's musical arts.Studying Qin artsplays an important role in saving ethnic music,Qin's heritage and its performers' activeness.In the conclusion,base on Zha Fuxi's contribution to Qin's studying,theauthor analyzed new Qin theory and modern Qin theory in three periodsof traditional Qin theory,the differences of shi and professional musicalperformers,and the ideology ofshi in chinese Confucius.The author referred to some relevant information,studied and analyzedthe Zha Fuxi's Qin ideology,theory and activities.Through the studyingof Zha Fuxi,to research the connection and influence between shi andQin arts,and their change trend as well.Remarks:shi is a group of people who are scholars,intellects,patriots,orofficials with national dignity and aspiration in ancient china.