Lu Yunlong. Lu Renlong were infrequent novelists who compiled, commented and published at the same time in the novel history of China .They compiled, commented and published "Xingshiyan(《型世言》) "Weizhongxianxiaoshuochijianshu(《éå¿ è´¤å°è¯´æ–¥å¥¸ä¹¦ã€‹) " ,"Liaohaidanzhonglu ( ã€Šè¾½æµ·ä¸¹å¿ å½•ã€‹) ", they also published nChanzhenhoushi(《禅真åŽåªã€‹) ", another novel "Qingyezhong(《清夜钟》) " was likely to be their publications too. The discovery of "Xingshiyan (《型 世言》) " among them, caused the sensation once in academic circle. We can sayLu' s brothers' (陆æ°å…„弟) status and influence is only second to Feng Menglong and Ling Mengchu in Huaben novelists of the Ming Dynasty. They selected .commented and published the collected works of many kinds of poems ,among them" Cuiyugepingxuanhuangmingshiliumingjiaxiaopin (ã€Šç¿ å¨±é˜è¯„选皇明åå…åå®¶å°å“》) " is important reference material for scholar to study the essay of the Ming Dynasty.The mainstays of novelists were low class who failed in the imperial examination; their life was not in detail. However, Lu' s brothers (陆æ°å…„弟 ) are representative and few novelists whose life experience can be known in detail. Studying their literature achievement typically, will contribute to the solution to those puzzled problems in the history of the novel, and to drive study of literature especially colloquial short story of the Ming Dynasty to be developed.This dissertation is divided into four chapters. In Chapter one, the author summarizes Lu' s brothers' (陆æ°å…„弟 ) life and literature activity . The author also points out Lu' s special purposes of making friends and analyses his concept and psychology of making a living further deep layer; Secondly, on the foundation of investigating the members in Lu' s publishing workshop and publications , summarizes Lu' s publishing characteristic; At last, the author discusses Lu' s brothers' compilation characteristic wholly, then analyses and appraises Lu' s brothers' (陆æ°å…„弟 ) novel comments ; In the accessorial parts, it argues that li Qing can not be the author of the novel "Taowuxianping (《梼æŒé—²è¯„》) ".Chapter two is the focal points of this dissertation, this chapter can divide into two parts , The first part include three sections, it mainly debates and analyses about" Xingshiyan 《型世言》 " and the progeny text .First of all,the author clarifies the fact that Lu Renlong was the editor but not author of the book on the question of creating" Xingshiyan(《型世言》); Secondly, the author cards production of the research of "Xingshiyan (《型世言》 ) " matter and supplements his own discovery ; then clarifies the general situation, the time of being published, and the relation of edition of" Xingshiyan (《型世言 Huanying (《幻影》) " ," Sanpai (《三æ‹ã€‹)" and counterfeit " Erkepaianjingqi(ã€ŠäºŒåˆ»æ‹æ¡ˆæƒŠå¥‡ã€‹)" .The second part includes five sections, it is the comment for content and artistic characteristics of" Xingshiyan (《型 世言》) ". At first, it expounds the fact of the morals representation and backgrounds of" Xingshiyan (《型世言》) ", and putting " Sanyan (三言 ) ""Erpai ( äºŒæ‹ ) " for the object of reference, analyses the morals characteristic of" Xingshiyan (《型世言》) ", expounds the negative effect that its moral caused; Secondly, comparing "Xingshiyan (《型世言》)" with other Huaben novels in the end Ming Dynasty, the author points out its subject matter is deformity ; At last synthetically analyses the achievements or Xingshiyan (《型世言》) " in art and objectively values its statuses among Huaben novels in the end Ming Dynasty .In chapter three, the author analyses the creation motive of "Weizhongxianxiaoshuochijianshu ( 《éå¿ è´¤å°è¯´æ–¥å¥¸ä¹¦ã€‹) " and "Liaohaidanzhonglu (ã€Šè¾½æµ·ä¸¹å¿ å½•ã€‹) ", summarizes their creation characteristic, and studies the source of matter of Liaohaidanzhonglu (《辽 æµ·ä¸¹å¿ å½•ã€‹ )", puts forward the query for the argument that Lu Yunlong is the author of novel" Qingyezhong (《清夜钟》) ".Chapter four analyses the creation characteristic in Lu Yunlong's poetic pro... |