Recreation In The Arts Way | | Posted on:2004-12-28 | Degree:Doctor | Type:Dissertation | | Country:China | Candidate:X T Zhao | Full Text:PDF | | GTID:1115360095962689 | Subject:Ancient Chinese literature | | Abstract/Summary: | PDF Full Text Request | | In this paper the author makes a comprehensive exploration on the poems and paintings of Song Dynasty and their interrelated aspects by dealing with the materials of the poems on the paintings. In chapter one the author discusses the hobbies such as the collection of paintings and calligraphy in details by analyzing the cultural backgrounds which is strongly connected with poems and paintings in Song Dynasty. In chapter two the author debates the fact that the scholars and the painters in Song Dynasty identify with each other to some degrees, that the painters improve their character of paintings by inspiration and the scholars inspire their poetic images by the consciousness of painting through the review of the two aspects - the consciousness of painting which accounts for the scholars and the consciousness of literature which s accounts for the painters. Then the author provides the substantial and psychological basis and causes for the proposition that there are paintings in poems and on the other hand there are poems in paintings. In chapter three the author argues that the proposition of paintings in poems and poems in paintings forms the theoretical and literal one between the poems and paintings. In chapter four the author divides the poems on the paintings into three categories(The first category is: the entire contents, images and outlines of the poems and the paintings. The second category is: to select some poetic sentences to reflect the whole article. The third category is: uttering the poetic meaning.)for analysize according to the different choice of the painters and the different explanation to the poems. The author also analyzes the creative conditions and the artistic characteristics and makes a point that the poetic paintings in Song Dynasty displays the aesthetic experience of the poets and the painters, reveals the truth that pure visual appreciation has been thrown away and the spiritual appreciation, meaningful appreciation as well as thoughtful appreciation have been accepted. The author also concludes that this is the representation of the consciousness of Song Dynasty and it expands circulating path of the poems and paintings, that its prosperity reflects the creative intentions of Song Dynasty - the fulfill of the convergenceof the two proposition. One is that the meaning is unlimited while the words in limited and the other is that describing the image to express the whole meaning. In chapter five the author points out that in Song Dynasty the painter' s intension is to coincide with the poet' s inspiration by analyzing two groups of poetic paintings and then makes the conclusion that this is the exhibition of one of the most classic consciousness in Song Dynasty. In chapter six the author explores two kinds of collective creative phenomena which exist in the poems on the paintings and points out that in fact these phenomena compose the dialogic relationship of the test and exhibit a kind of heteroglossia formation. At last these phenomena form the congregation of masterpieces and reflect the enlightened and energetic opinions in Song Dynasty. In this chapter the author particularly debates the dual-voiced discourse which exists in some poems and points out that the poets in Song Dynasty compete with each other in some aspects of poetic appraisal and poetic skills. This is not only the requirement of age, but also the demands of the movement of the poetic innovation. These phenomena show their prominence in the process of shaping the poetic style and also present their disharmony and heteroglossia among the literature. In chapter seven the author explains the popular orientation of the value - the pursuit of isolation and alienation by living close to the mountains and waters, and points out that this represents that the poets make more and more emphasis on individualism , inner mind as well as spiritual thought. In the last chapter the author makes a terse brief on the unique contribution of the poems on the paintings in Song Dynasty. At the end, the author makes an... | | Keywords/Search Tags: | Song Dynasty, poem, painting, painting of the literati, the poems for the paintings, poetic painting, consciousness of classic text | PDF Full Text Request | Related items |
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