Study On Chinese Buddhism Art

The study on Chinese Buddhism Art is a study cross sciences, which puts the stress on the special cultural phenomena formed in the interactions and interrelations between art and Buddhism, hence it is of great importance in the study on traditional cultures, or that of arts, or the one of religions.The study on Buddhism Art is a marginal and comprehensive new-rising one, and the study of which at home and abroad has had some achievement available yet with something unsolved, as in such study area, known from the given documents, many just are satisfied in ranking many Buddhist themes or categories, or atmosphere of such kind, doing little in exploring the concepts, characteristics, and spiritual essence of the study on Buddhism Art with no model for the Study.This paper has its basic content and creative value in such three aspects as follows.First comes the perforation of the paper, which just makes the Buddhist tenet, Buddhist tasting culture put together as well as its art works so as to, promote Chinese Buddhism Art Study to go through in depth. Just from the study in the past, we could only see that there i's few in theme with a good connection with Buddhist tenet, while in the Buddhist philosophy study there seems to be less connection with concrete Buddhist art works. Thus, the author just tries her best to make a good integration between the intercross of the logos and the sensibility, of philosophy and esthetics, and of theory and practice, which tries to outline the essential feathers of the Buddhist art categories from the height of tenets, and to demonstrate Buddhist tenets abstracting the logo from the art tasting practice. No matter how much the tasting feature has beenemphasized, Buddhist art, in nature, still remains only a fact 'of culture with religion's essence, and its aim is at transmitting the religious ideas and promoting its religious performances with some other outside decorations and styles as the tools to serve the goals. Hence in the tasting process of art creation and enjoyment, whatever theoretic completion is provided for the aesthetics byBuddhist art, Buddhism's art and its tasting process, in essence, is the theoreticsummary on its religious realization and mentality process. This paper reveals such essential feature through a through study on the perforation.Then the comparison method with multiphase eye sides has been used. As the study has been conventionally divided into different categories of literature, painting, music, and construction in form, how to divide its kinds is an interesting item in the study. In recent years, there has been a great development in such study with marvelous completions. Yet there still remains some shortness - that is, little has been done on the analysis on its nature, say, what is the goal of such an art? What its themes? What has been explored in the tasting process? And the very paper tries to overcome such man-made academic limitations, to explore the basic characteristics on the whole through the way of integration with the comprehensive comparison, which is a good test of great value in search for the study on the history of the categories of Buddhist art study.The last but not the least is that the very paper takes the methods of themes' study, the fields study, and the formation study as three pillars, which outlines the total Chinese academic field for Buddhist art study. The final goal for such a study is to construct The-new and through science of Buddhism's art, which has an un-substitutive effect in the total study on Buddhism and has significance in enriching such a study.